POETRY

POET AND PROFESSOR

‘The spring recoils upon us like a myth…’ The Professor, Kenneth Allott

 

We would meet occasionally, by chance,

outside lectures or tutorials,

near the bus stop by the Philharmonic Hall,

Professor Ken Allott in from the suburbs,

me from various damp, cold flats in Toxteth.

He would always speak and would always ask

about my writing. ‘A young man’s game,’ he’d say,

smiling. He was in his fifties then,

his two volumes out of print. He was

a good teacher – and a fine poet.

 

Ah, if I had seen then how fine –  a craftsman,

witty, lyrical, ironic –  what time

youth would have spent with age to learn about

our art, walking together up Hope Street.

 

‘Heaven is full of clocks which strike all day.

It is to music we are put away.’

 

 

 

RIVERS OF BLOOD

I think of a freckly, fair haired lad

of fifteen, an Irish Traveller –

from that nomadic, hard grafting culture

spawned by the Great Famine. As he ran

from danger across a playing field

he tripped and was killed by two youths, fellow

Catholics with Irish surnames, one of whom

allegedly said, as he stamped with both feet

on the boy’s head, ‘He’s only a fucking

Gypsy.’ The judge did not consider the crime

racist. (Possibly the manifold

ironies had leached into his judgement

and atrophied it). Though it is no longer

legal to overtly, verbally or

otherwise, attack any Asians, Blacks,

Jews and/or Muslims per se for all Gypsies,

Travellers and/or Roma per se

it seems always to be open season.

 

They are tidal rivers the rivers of blood,

those prophesied, self fulfilling torrents

of violence, made to seem inevitable

as flash floods, typhoons, so unstoppable:

a metaphor that is flourished – when

political fortunes are at an ebb –

by scoundrels looking to float their boats

whatever the flotsam or the jetsam.

 

 

POOR DAPPLED FOOLS

Out of the rutting, summer undergrowth,

a rasping roar… Saxons considered them

the mark of kings… Celts believed they were fairy

cattle, herded and milked by goddesses…

 

Though hundreds of thousands are culled or die

on the roads each year, we may have two million

wild deer because of autumn planting,

mild winters, new woodland and the death

of the lynx: ruminant, secretive,

destructive by default in residual

forests, on moor land, in the green belts

that join towns to cities –  the interstices

of haphazard copses and unused fields –

and in suburbia’s gardens and parks.

 

Driving slowly through fallen snow south

on the M40, we passed a Roe deer,

a hind, at the top of the embankment,

the ‘wrong’ side of the fence, picking her way

through the drift towards the Forest of Arden.

 

 

 

WINTER

Footballers in the park grow younger, play

longer into December nights. In my garden,

leaves decompose. Fogs rise to the window.

I see my father’s features in the glass.

 

Gulls are grave, funereal in their white

seriousness. Bad weather visitors,

fickle as spume-flecks, they flitter from grass

into heavy skies, craftsmen in gravity.

 

Winter is too human for comfort.

Natural we should shudder as darkness

drifts in sooner. Ice seasons carry home

truths on incisive air.

 

 

SILENT POOL, MARCH 2013

The pool is off the Dorking-Guildford road,

at the foot of the North Downs; is fed

from a spring, which seeps through chalk and flint;

is so-called for allegedly no birds sing

in this glade of ash, oak and yew;

a place of legend, of Druidic worship,

rumoured deep enough to drown secrets.

A sharp March wind rattles twigs and branches.

 

By the side of a flint pathway – that leads

to the top of the Downs with its Pilgrims’ Way,

an old drovers’ road – is a second world war

‘pillbox’, its unadorned and concrete

symmetry stark, a forgotten reminder

of fears of invasion from Bonaparte

to Hitler – not without reason in this land,

like many, pillaged over and over.

 

Edward Thomas, after his breakdown,

cycled westward, a century ago,

from Clapham to the Quantocks in pursuit

of spring in turbulent weather like this.

That laureate of the moment – the hoot

of an owl, grass stilled in the heat – briefly stopped here

the year before he wrote his first poem,

two years before he enlisted, three

before a shell blast killed him at Arras.

 

 

ENNUI

I received a call from a literary friend

late some evening in the ‘70s –

I forget the year and the day – to tell me

Yevtushenko would be reading his poems,

the following evening, in Lecture Room 35

at Liverpool Polytechnic.

It was confidential. If they knew,

Zionists would protest

on behalf of the refuseniks.

I thought of his ‘Babi Yar’ –

‘I see myself an ancient Israelite…

And that is why I call myself a Russian!’

Either way, I took no action.