POETRY

LANDFALL

i

 

When swifts no longer sickle the twilight

and gulls beat inland, when clouds pass like

drift ice and a reaper’s moon is rising

like a blooded eye, leaves spiral almost

like tears. In the unlit house, a voice murmurs.

 

ii

 

At flood tide, winds off the waters abuse

the cherry tree and batter the fences.

Just out of hearing, the rolling fathoms calm

to torn branches, occasional ice and

the slow intimation of landfall.

 

 

 

INNOCENCE IN ITS SECOND YEAR

She crouches slightly to see the horses –

a grey and a bay – through the wire fence.

They are eating windfalls of sweet chestnuts.

She watches them fully open the cupules

with their teeth then tongues to eat the nuts.

They notice her, feel safe to approach.

She is not much bigger than either of

their heads. Each half a ton, they walk with the grace

and circumspection of fifty million years.

They bend their heads towards her. Fearlessly,

she offers them grass. Gently, they take it.

 

 

 

BETWEEN THE MONKEY AND THE SNAKE

We flew to Marrakech one January –

from dark, frosty, early morning Gatwick

to a view of the sun on the snow-topped

Atlas Mountains. Barely six hours from home,

we were in the Souk – ‘La shukran! Non merci!’ –

avoiding the blandishments, noting

the bartering and the credit cards. Relieved,

we emerged into the Jemaa el Fna,

the Marrakech Medina’s vast square,

with water-sellers, jugglers, magicians,

henna tattooists with their sample books,

peddlers of herbal medicines, dancing boys,

acrobats, story-tellers, traders of

mint, dates, olives, kumquats, lemons, cumin,

the ancient start and end of caravans

south and east across the Sahara.

 

Suddenly, in all that charivari,

you heard a charmer’s flute. ‘Cobras!’ you cried

and rushed unwarily away, me

hurrying after. You stopped – the flute now

out of earshot – only for a macaque

monkey, dressed in a powder blue suit

and a fez, to tap you on the shoulder.

 

The monkey was chained and the snake, no doubt,

de-fanged but I could not relieve your fear.

Love has its short term limitations.

You were lost and found and lost again

between the monkey and the snake.

Then the plangent notes of the mid-day call

to prayer sang from the city’s seven mosques

and you were found again in sudden beauty.

 

 

 

 

Note: The poem has subsequently been published at

http://thirdsundaybc.com/2012/03/18/vol-1-no-2/

 

 

THE MATTER OF THE HEART

A cardio-vascular consultant

told me I had subtle abnormalities

of the heart: a tendency, possibly,

to soften too readily, be swayed

too easily, feed on fantasy, harden

like the Pharaoh’s; be of kings, of lead, of oak,

of darkness;  bleed for my country, belong

to Daddy; be a lonely hunter;

be displayed on my sleeve; be in my mouth,

in the Highlands, left in ‘Frisco, buried

at Wounded Knee; like Luther’s, who feared his

was like a ship upon a stormy sea

driven by winds from heaven’s four corners.

ABERFFRAW, YNYS MÔN

Sand dunes, sharp with pampas grass, muffle

Caernavon Bay, St. George’s Channel,

the Atlantic. The Ffraw’s estuary flows

narrow as an eel. The curlews call.

 

The non-conformist chapel is up for sale

and the visitors’ centre does funeral teas.

The highway bypasses the village,

though here, fourteen centuries ago,

was the urbane, Christian court of Cadfan, Prince

of Gwynedd. Nothing remains. The Vikings

razed the wooden palace. He was buried

some two miles away, the slate gravestone

inscribed in Latin not Welsh by his heir:

Catamanus rex, sapientissimus,

opinatissimus, omnium regnum –

Cadfan, wisest, most renowned of all kings.

 

A penchant for dissension kept the Celtic

empires shifting like sand. They founded London,

Paris and Vienna but Rome and its

civil service, under new management,

finally seduced and traduced them.

THE INVERTED EUCALYPTUS

In the unlit room, the glass-topped table

reflects the crepuscular, upside-down

image of the tree. In this small picture,

the Moon is descending through its branches.

 

Through the window, a hazy full Moon,

trailing south easterly clouds, is rising,

with the shimmering Evening Star, above

the eucalyptus, across a darkening sky.

 

How fast we move through the universe and yet

how still the glass on the table and the panes

in the window, the tree and its image,

the ubiquitous eucalyptus, appear:

 

an accidental, antipodean

masterwork of reality and dream.