POETRY

BEING EEYORE

“It’s not much of a tail but I’m sort of attached to it.”

WINNIE THE POOH, A. A. Milne

Travelling home in the gloaming from the film

‘Christopher Robin’ – where an Englishman

re-discovers his inner lost boy,

an observation that is not unkind –

she says, leaning forward confidingly,

as we cautiously join the motorway,

‘Grandma! I think Grandpa is a bit like

Eeyore’ – as one might say ‘like Charlie Chaplin

or Einstein’. I ponder, as I tut tut

at overtaking speedsters, and wonder

if there are Guardians still at the Co-op,

what it is, at eight, she sees: a mostly

avuncular, slightly lugubrious

bearded johnny with specs and a high forehead,

or an elderly child stuffed with arcana,

given to irony? Whatever it is

if there were blessings I would feel blessed


ALL OF IRELAND’S AMBIGUOUS AIRS

For Sarah Selzer



The arithmetic suggests you might have been

conceived on the night ferry to Dublin.

That, with a drive across the republic

in August, and a week of spuds and Guinness,

of Sweet Afton’s and of Passing Clouds,

of fuchsias, escaped from some gentry’s garden,

purpling wild and red down narrow lanes

where family men fought a ragged war,

rocks at Hell’s Mouth, white and bleached as bones,

the lullaby lapping of Bantry Bay,

and sailing home across a violent sea

to our newly decorated, newly

furnished south-facing flat at the top

of an old house almost as tall as its trees,

may explain your sureness with words and people,

with colours, and textures, and keepsakes,

your sense of irony, of justice,

of the absurd, and your certainty

that what matters most is love and kindness.

AT THE WORLD’S EDGE

A year after we honeymooned by the shores

of Bantry Bay opposite Whiddy Island –

low lying, with gently rolling hills –

construction began on the island

of an international oil terminal,

big enough to permit the largest tankers

to unload straight from the Persian Gulf.

The bay was ideal – a deep, sheltered channel,

far away from crowded shipping lanes,

and Bantry town’s population was small.

In ’79 an ultra-large tanker

exploded at the jetty killing scores.

The terminal was closed permanently.

Our memories of oyster-catchers

in the estuary were replaced with

the heavy wash of shipping storeys high,

then sudden, volcanic conflagration,

and the bay darkening with flotsam.

The nearby village of Kealkill was the site

of the Civil War’s first fatalities,

two IRA Volunteers from Bantry.

In the ’90s, the forestry commission,

as elsewhere throughout the republic,

on peat land and once cultivated fields,

planted fast growing Sitka spruce – native

to Alaska, sacred for the Haida,

a First Nation coastal tribe of fishers.

One of the residents of Kealkill

objected to the darkness and the dankness

the spruce created, a perpetual gloom

that killed the bilberries that had been

abundant. Every so often, for

twenty years, she felled a tree, and scattered seeds: 

birch, hazel, oak, alder, crab apple, rowan.

‘As time went on,’ she said at her trial, ‘I got

bolder’. The Garda had heard the chainsaw,

and arrested her, covered in sawdust.

On Whiddy Island there are the remains

of the blackened oil jetty, and, by the shore,

overgrown with hawthorn and gorse,

the stone ruins of curing sheds for pressing

shoals of pilchards caught off the coast, in most years,

for export to France, Spain and Italy –

a trade abandoned for easier pickings.

Our bedroom overlooked the rich, deep waters.

Above the bed was a garish print

of the revelation of the Sacred Heart.

‘Strange to be there beginning something new…

Strange to go there, for what might come’,

I wrote, more than fifty years ago.

But what do young men know, surprised

by death’s ubiquity? We had driven,

one benign August day, across Ireland,

asking a drunk for the way out of Dublin,

passing galloping horses on the Curragh,

later fallen towers, and barefoot children,

and dry-stone walls festooned with fuchsia  –

arriving in the early evening,

with the bay still as glass.

THE WHISTLER’S GRANDMOTHER

In Stephansplatz, geographical centre

of Vienna, where the horse drawn fiakers

wait in line for hire (the excrement

collected in bags attached to the carriage

to mollify the tourists), next to

the Stephansdom (its spire the tallest

in the world) where Holy Roman Emperors

were christened, baptized, confirmed, crowned, married 

and dispatched, on paving where Haydn,

Mozart, Beethoven walked, the photographer

and her assistant, grandma and granddaughter

are practising their whistling.

CIA HQ, AFGHANISTAN, 2021

In a compound some two miles square, surrounded

by razor wire and guard towers, on a hillside

three miles north east of the airport and six

from Kabul’s centre, are rows of burnt out cars

and pick-ups. Beneath the vehicles

are solidified pools of molten metal.

Elsewhere in the compound are the ruins

of a mock-up village used to train

operatives to carry out night terror raids.

The recreational block is intact.

Inside are unfinished meals and abandoned

games of chess. The detention block too

is intact. Inmates gave it the soubriquet

‘the dark prison’, the cells having

no natural light – nor electric except

when the torturers came.

DOUBLETHINK

‘Among ourselves it must be clear that there is no room in the country for two peoples… the only solution [after World War II ends] is a Land of Israel…without Arabs…’ Yosef Weitz, 1940.

At first glance the photo only seems to show

three men standing side by side on a slope

somewhere in Palestine. They are dressed

like professional men, Americans

or Europeans. The one in the middle

holds a map of some sort in his left hand,

and points at something in the distance

with his right. He is Yosef Weitz, Director,

Land and Afforestation Department,

Jewish National Fund. (An immigrant

from Tzarist Russia, a refugee

from pogroms, he worked on the land, something

Jews were forbidden to do in The Pale.

A dogmatic autodidact his vision

was for Eretz Israel to be a country

of forests – perhaps, unconsciously,

like the forested hills of his birthplace).

On closer inspection there are two others

in the photograph: a woman almost

totally obscured by Weitz, except

for the hem of her long skirt and the top

of her hijab, and a man – obscured

almost totally by one of Weitz’s

colleagues but for his keffiyeh.

The Arab stands behind Weitz, and to his left.

Weitz is leaning back as if it is to

the Arab he is pointing out whatever

he has seen. The Arab also holds the map.

Maybe he is trying to be helpful or

maybe the land is his.