POETRY

EXCEPTIONALISM

David Selzer By David Selzer0 Comments1 min read1.5K views

The Japanese Imperial Army’s

mistreatment of POWs

during World War II was a war crime.

The killing of Japanese civilians

in Hiroshima and Nagasaki

by the United States Army Air Force

was a geopolitical strategy.

 

Daily, on the tv screen, out of the sky

suffering comes: dust, flames, detritus,

outcries – and the living burdened, fleeing…

 

…Myanmar, Baghdad, Grozny, the fall

of Paris – long lines of people south

on the roads through the fields of the Beauce,

trying to scatter at the siren sound

of a Stuka bomber beginning its dive…

 

…as armies retreat or advance, casual

atrocities, private massacres

randomly uncovered, indicted,

transmogrified if necessary

by statecraft’s convenient amnesia…

 

I used to believe that if there had been

24/7 Live Updates from

No-Man’s-Land on the Western Front

or the VC tunnels in the forests

of Vietnam those conflicts would not have

lasted a week – but now I am not so sure

for someone, somewhere is gaining glory,

telling lies, making money out of this

the simple immorality of war.

 

WHEN THE TIMES DARKEN

David Selzer By David Selzer2 Comments1 min read2.2K views

After the Anschluss and Sudetenland,

before the invasion of Poland,

Bertholt Brecht, in exile from the Third Reich

in a thatched cottage on a Danish island,

posed a question in a short poem –

‘When the dark times arrive will there still be songs?’

As poets tend to do Brecht answered himself.

‘Yes, there will even then be singing – about

the dark times that have come’.

 

After the arms manufacturer’s profits

have returned to normal, and democratic

politicians’ have devised new distractions

for their electorates, and cheerleaders

who would send other people’s sons and daughters

to war have found new enthusiasms,

and the defeated have been punished,

the pacifists admonished, the victors

exonerated, and much of Africa

and the so-called Middle East has been unpeopled

by famine, and the world continues

to be consumed by fire, drought and flood,

will there still be singing?

 

 

Note: For a translation rather than an imitation of Brecht’s ‘In den finsteren Zeiten…’ see Edwin Morgan’s: https://www.scottishpoetrylibrary.org.uk/poem/when-times-darken/.

 

A FAR AWAY COUNTRY

David Selzer By David Selzer1 Comment1 min read1.8K views

When the images caught on someone’s iPhone

of a shelled apartment block in a Kyiv

suburb and a woman sweeping up

shards of glass on a balcony that has

only been partially destroyed, or the piles

of rubble in Kharkiv city centre

that might be Aleppo, Fallujah, Dresden,

change to scorched family cars on littered roads

with snow falling, sometimes on the skyline

are deciduous trees and, clinging

to their leafless branches, silhouetted,

near perfect spheres of mistletoe, ‘omela’

in Ukrainian and in Russian. Each spring,

the mistle thrushes, impervious,

return for the berries.

 

 

 

 

 

THE POET AND THE BATTLESHIP

David Selzer By David Selzer3 Comments2 min read2.3K views

Emperor Augustus exiled the poet

Ovid to Tomis, a Black Sea port

and ancient metropolis, first city

of the Scythian Frontier, a day’s ride

from the Danube delta. Tomis –

in ancient Greek ‘to cut’, ‘to sever’, so called,

Ovid wrote, because Medea, Jason’s

sorceress and lover, dismembered

her brother there, threw the pieces in the sea –

now is Constanta, Romania, renamed

for the consort of Constantine,

and where the mutinous crew of the Potemkin,

after the failed revolution, surrendered

the dreadnought to the Romanian navy.

 

Rumour, however, has it the poet

may have exiled himself from Rome

to this the empire’s then furthest margin,

learning of the Emperor’s prurient wrath

at his Ars Amatoria – ‘Should

anyone here not know the art of love,

read this, and learn by reading how to love.

By art the boat’s set gliding, with oar and sail,

by art the chariot’s swift: love’s ruled by art.’

 

He thought the journey – south through Messina’s straits,

east across the Ionian Sea,

north through the Aegean and the Bosphorus,

tantalisingly past Byzantium  –

seemed to take as long as that of Jason

and the Argonauts. ‘The pine planks thunder,

the rigging is whipped by the wind. The keel

bellows, moaning with my troubles’.

He tells us in his poems from exile –

epistles in rhyming couplets, written

on papyrus, shipped to Rome, to friends,

enemies, and many times to his wife,-

that he fears the barbarians across

the Danube, and complains about the climate

that frequently freezes both river and sea,

and about the citizens of Tomis,

who eschew the toga for Persian trousers,

and mock his Latin. ‘…cano tristia

tristis…sad things I sing in sadness.’

 

In the late 19th century, almost,

as it were, two thousand years too late,

a square was named after him, a bronze statue

commissioned. The sculptor has him pensive,

observing his feet rather than the sea,

not that – compared with Medea’s doings,

and, in Mare Nostrum, the wanderings

of Ulysses and Aeneas,  never mind

the poet’s own modest, bitter travails –

the brief antics of barbarian

sailor boys in stripey jumpers on that

most marginal of seas would have been

of the slightest import.

 

 

 

MAÎTRE JACQUES

David Selzer By David Selzer1 Comment2 min read2.1K views

Master James of St George d’Esperance, Savoy –

civil engineer and architect,

a Lutyens, a Vauban, a Speer –

was ‘master of the Kinges werkes in Wales’.

He built the castles at Rhuddlan, Conwy,

Harlech, Caernavon and Beaumaris –

all accessible from river or sea,

the last four with bastides (walled, fortified towns) –

for Edward I, England’s ninth Norman king,

in the latter’s campaign to rob the Welsh.

 

Beaumaris – the final touches unfinished

through lack of funds, and the subjugation

of the Welsh – has two concentric walls,

twenty four towers, and the remains

of a sea water moat and a dock,

all stone work patterned and meticulous.

The inner courtyard is the size of a grand

public square, somewhere for the King to survey,

from a window of the Great Hall – a goblet

of wine from Gascony at his lips,

an English harpist playing at his back –

Maître Jacques command masons and carpenters.

 

We do not know precisely where he was born

or died or when, or much else about him

apart from mentions by various

clerks of work in lists of expenditures –

and that his wife’s name was Ambrosia.

Where they both Savoyards? Did they ever

return? When they saw snow on the mauve mountains

over the Straits from Beaumaris did they think

of the many days’ journey south across

the Celtic Seas to the Bay of Biscay,

along the Garonne to Bordeaux, then by horse

skirting the lakes and crossing the rivers

of Occitania, the Alps of Savoy

in the friendly distance?

 

 

 

SIC TRANSIT GLORIA MUNDI

David Selzer By David Selzer0 Comments1 min read1.5K views

Passengers feel the train brake before they see,

from the embankment above the hectares

of marshes, the landscape begin to slow.

The many acres of grasses and flashes

have snipe, little ringed plover, lapwing,

water shrew, otter – and cattle grazing

at their edges. The River Sow flows

through the wetlands, and, far beyond the town,

joins the Trent, Ouse, North Sea. Between sedges,

low over pools in summer, swallows hunt.

 

We pass under the M6 viaduct,

its traffic relentless, silent above us.

On a low rise is the ruined Norman keep.

The annual Shakespeare festival

takes place with the castle as backdrop.

One of the Earls of Stafford was also

Duke of Buckingham, Richard Crookback’s

ally, implicated in the murder

of the young princes in the Tower.

Shakespeare has Richard, now King, ask the Duke,

– suspecting his betrayal – ‘What’s o’clock?’

 

Lastly Stafford’s two blocks of high rise flats

come into view, and the brick towers

of its nineteenth century prison.

Lesser figures from the Easter Rising,

Michael Collins among them, were held

in the gaol. There is a photo of them,

in civvies, suits and ties, crowded together

on a walkway, taken from below,

Collins fifth from the right at the back.

Someone has put a cross above his head.