POETRY

THE NETHER PORTAL

David Selzer By David Selzer2 Comments2 min read1.9K views

Fifty years ago the garden of what is now

our house was five times its present size –

a garden that had been a field, and a heath.

A builder turned an orchard, borders

and most of a lawn into three modern

terraced houses and eight lock-up garages.

Part of what remained of the lawn was a dump.

 

Occasionally odd things still turn up –

like bits clinker, rusted iron, and, today,

a small piece of coal, of anthracite,

its planes and angles glinting like lightning

in the blackest of skies as I hold it up

to show my ten year old granddaughter.

‘What’s this, do you think?’ ‘Obsidian?’ she says.

‘It’s coal,’ I say. She looks at the geometry

of its blackness with the wonder I would feel

if I were to see obsidian. Seeing

my face she helps me with my homework.

‘It’s black volcanic glass. And in Minecraft

the Nether Portal is made from it.’

 

Plato maintained that the structure of the world

was cuboid. According to the elder Pliny,

Obsidius, an explorer, discovered

the sable glass in Ethiopia,

and was impressed by its sharp rectangles.

Stone age peoples made it into arrow heads,

who maybe believed in that portal,

through which Persephone and Orpheus

separately, reluctantly, descended – each returning,

one with glory, one with remorse. And I think

of the others, unnumbered, getting the coal

this child of the future has marvelled at,

coal that has set fire and water at odds

to envelop the world, rendering it

all desert or ocean.

 

 

 

ON WESTMINSTER BRIDGE

David Selzer By David Selzer0 Comments1 min read1.5K views

‘Earth has not anything to show more fair:

Dull would he be of soul who could pass by

A sight so touching in its majesty.’

COMPOSED ON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802

William Wordsworth

 

After their slow revolve on the London Eye,

the kingdom’s power nexus spread beneath them –

palaces, churches, offices, parade grounds –

many tourists walk across the bridge.

 

Today industrial scale ‘Find The Lady’

awaits them: six identical sets of mats,

tin cups, balls, and keen punters shamming –

distractions for marks pickpockets will make.

A pair of police constables strides

with intent from the Embankment. One calls out

as the many miscreants disperse.

Good to know that – armed with taisers and batons,

on a bridge fortified against terrorists –

a burly bobby still shouts, ”Oi, you!’

 

At the foot of the bridge near the entrance

to Parliament’s guarded underground car park,

a Scottish piper plays a pibroch,

‘Lochaber no more’, a lament of exile.

The plangent notes swirl amongst the passing crowds.

IN PRAISE OF HERB ROBERT

David Selzer By David Selzer5 Comments1 min read2.1K views

Not the Michelin two star French restaurant

in the Kentish High Weald, nor the West Coast

jazz saxophonist who sessioned with Brubeck,

but the British woodland wild flower, or weed.

 

There are two definitions of ‘weed’ –

the official: a wild plant growing

where it is not wanted; and mine: a plant

whose existence is not dependent,

in any way, on the whim of humankind.

 

Herb Robert – aka Red Robin –

is a wild and elegant geranium,

with dark green leaves, reddish stems and pink flowers,

that grows at the edge of paths, and in the gaps

between paving stones. In wiser times

it was an antiseptic, and a stomach

settler, a charm to baffle evil,

and bring forth birth – named, some say, for a monk

who made a curative tea from its leaves;

others for Robin Goodfellow or Puck,

the jokey house goblin of English folklore,

as featured in A Midsummer Night’s Dream:

‘And those things do best please me

That befall prepost’trously.’

CELEBRITY

David Selzer By David Selzer6 Comments2 min read2.1K views

Bought for the Coronation,  our first TV

had a nine inch screen. It stood in a corner

of the front room. My grandmother, who

had outlived two husbands, two World Wars,

and once had tea with Buffalo Bill,

thought that those appearing on ‘the box’

could see those watching, so was discerning

about whom she chose to watch, and when.

 

She particularly liked ‘What’s My Line?’, an import

from America, in which a panel

of four TV ‘personalities’ guessed

what a range of guests did for a living.

It was broadcast early Sunday evenings.

An hour before she would heat her curling tongs

in the small range in the kitchen. The house

would fill suddenly with the smell of singed hair.

 

Her favourite panellist – she thought him ‘refined’ –

was Gilbert Harding: a choleric,

Cambridge graduate; a poorhouse orphan,

prematurely middle aged; a good

BBC voice with the proper vowels,

a hint of tobacco. The Corporation

kept his secret, when ‘the love that dare not

speaks its name’ risked penal servitude.

 

Outed by the tabloids ‘as the rudest man

in Britain’, he was recognised in the street.

He described himself as a ‘tele-phoney’,

and recounted a journey on the Tube

from Russell Square to Oxford Circus

when he was pointed out, and fêted,

while, at the other end of the carriage,

T.S. Eliot was ignored. Old Possum,

another smoker, feared ‘the television

habit’, thought the word itself ‘ugly

because of foreignness or ill-breeding’.

Eliot, a confused anti-Semite,

and Groucho Marx were mutual fans.

As the latter might have said to the former

on the one occasion they ate together,

‘Tom, just because you’re a genius,’

flicking cigar ash, raising an eyebrow,

‘doesn’t mean you’re not also a schmendrick!’.

Harding lived for many years in Brighton,

whose bus company named a bus after him –

i.e. ‘bus’ as in short for ‘omnibus’.

 

My grandmother filled part of my childhood

with tales of her girlhood in Liverpool

from some sixty years before: the bloody

sectarian skirmishes; the frequent

prophecies of the end of days; the hulks

beached and rusting on the Cast Iron Shore

at the bottom of her steep street; and the boy

next door gone to America, and lost.

I can still recall his name six decades on –

and many decades since he sailed to Boston –

Johnny Flaws, Johnny Flaws.

 

 

 

 

THE MERMAID’S PURSE

David Selzer By David Selzer3 Comments1 min read1.9K views

For Evie Chapman

 

She fetches me a mermaid’s purse she has found

among the seaweed where the sand

meets the mound of pebbles the waves have built

and rebuilt over the centuries.

The small black pouch, with tendrils like broken straps

and firm as dried leather, is an empty

egg case, from which a shark or a ray hatched

on the seabed, probably between here

and Ireland. Tides detached and chance brought

this empty womb, wafted by the currents

like a wrecked black sail, or a lost coracle.

 

Children in bright colours scramble on the mound,

their calls like seabirds lifted on the air.

Mer-people are amongst us, their fishy flanks

invisible. From the future’s gritty depths

she fetches me another gift, a white stone,

large enough to need two carrying hands –

an amalgam of crustaceans calcified,

preserved aeons ago.

 

 

 

 

 

 

 

THE NAKBA

David Selzer By David Selzer2 Comments1 min read1.7K views

‘…mourning and sorrow shall end,
when I return to Jerusalem…’

Mediaeval Jewish Prayer

 

‘We suffer from an incurable malady: Hope.’

Mahmoud Darwish

 

On a land mass that is the size of landlocked

Rutland, the smallest county in England,

Gaza, the Earth’s third most populated

polity, has two small rivers  and a hill.

Its city, four thousand years ago,

was the site of a Pharaonic fortress.

 

Though the Jordan is inaccessible,

nowhere in the Strip is more than eight miles

from sandy beaches and the ‘Great Sea’,

the dark blue ‘Sea of the Philistines’.

 

During the so-called Suez Crisis,

as the invading Israeli infantry

reached the outskirts of Gaza City,

refugees from the Nakba – ‘catastrophe’,

‘disgrace’ – left their faded British Army tents

and clapped, thinking the young soldiers had come

to take them all back home.