POETRY

NO PASSAGE LANDWARD

David Selzer By David Selzer0 Comments1 min read1.3K views

Over time the ridge of the white pebbled beach

at Trwyn Du, Black Point, has risen –

rough tides edging smooth stones up and up.

From the landward hollow the breaking waves

are merely murmurings, and the easterly

a susurration. We climb to the top,

ever more circumspectly, with cautious knees.

 

The shimmering channel – narrow, treacherous –

between the mainland and the lighthouse,

reflects the tower’s shifting black on white.

Every half minute its warning bell tolls.

Conflicting tidal currents converge here –

fast seas made mild maelstrom by the wind.

 

Sun turns the cliffs of Puffin Island,

Priestholm, a pale, striated orange.

A trawler, with no herring gulls in tow,

passes seaward of the light. At the sea’s edge,

in her bright blue padded coat – reluctantly,

and only partly, done up against the wind –

she is scattering pebbles into the waves.

May she be safe always!

 

 

 

 

MYTHS AND PHOTOGRAPHS

David Selzer By David Selzer0 Comments3 min read1.4K views

For Alex Cox

 

Alice was awake long, long after midnight

on the last day of that last summer

the family spent at the house on the shore.

She watched the moon rise above Penmaenmawr,

and silver the Conwy estuary,

all the way to the tumbled castle

and the walled town. The light lit the warren

in the sand dunes.  She imagined, lost somewhere

in the marram grass, a pocket watch glinting.

 

***

 

Henry Liddell was Dean of Christ Church, Oxford,

when he and his family first met Charles Dodgson/

Lewis Carroll in the cathedral church.

Dodo was photographing the white

perpendiculars of the Gothic nave.

All of the Liddells, but particularly

the children, immediately liked the tall,

willowy, slightly chesty Mathematics don

with his northern vowels and his stutter.

 

The Liddells spent one summer in Llandudno

at the newly opened St George’s Hotel,

with its hydraulic lift and water closets –

where, in time, Prince Otto Von Bismarck,

and Elizabeth of Austria would stay.

The Dean bought a large plot of land out of town

on the West Shore at the foot of the Great Orme,

not far from where copper had been mined

since the Bronze Age. A miner’s path rose,

at a gentle angle, up the steep slope

to an adit, out of which a spring,

from deep within the tunnels of the mine,

flowed down through the broom to form boggy ground

on the littoral, before seeping

into the sea – Pen Morfa, the place, ‘marsh hill’.

The Liddells took the name for their house.

 

Unusually for the time even among

the well-off all but one of the children

survived beyond infancy, so the Dean

designed the five storey holiday home

to be capacious enough for his growing

family of eleven with attendant

servants. (The gabled house would have graced

anywhere on the Woodstock Road, North Oxford).

They spent each summer and Christmas there –

until the Dean became Vice Chancellor,

and Alice and her sisters did the Grand Tour.

 

Alice was much photographed – as a child,

of course, by Dodo, as an adolescent

and a young woman, with her sisters,

by Julia Cameron, and later

as Mrs Alice Hargreaves, society

hostess and president of the Women’s

Institute. Her husband was a cricketer,

a magistrate, independently wealthy.

She spent all her married life and widowhood

near the New Forest, hunting land acquired

by William the Conqueror. She had three sons,

two of whom were killed in the Great War.

 

Henry Liddell first let then sold ‘Pen Morfa’.

It became ‘Gogarth Abbey Hotel’ –

“an hotel” the Liddells would have called it –

though the nearest (ruined) abbey was

at least a good fifty miles away.

The connection with Alice in Wonderland

was promoted so successfully locally

and nationally that it became accepted

Lewis Carroll had frequently stayed

with the family, and, during one

long vacation, had written the book

in the guest bedroom. On the public green

between the hotel and the pebbly beach

– where dunes and warren had been cleared away –

a marble statue of the White Rabbit

next to the rabbit hole was unveiled

by former prime minister, David Lloyd-George.

 

***

 

In the Gogarth’s dining room was a painting

of the Walrus and the Carpenter

on a strand swept clean, all the oysters eaten.

Sunrise would light the corridor connecting

the hotel’s two wings. In its metallic light

flock wallpaper and patterned carpet aged –

as the wrecking ball hit the kitchens below.

But recession left the demolition

half done, like some illusion from Wonderland,

like something half-glimpsed in a pier glass:

myths and photographs, reputations

and gossip, anticipation, love, loss –

that great wheel, gone down the coppery

galleries, rolling through the tunnels,

bouncing and bumping like a child’s ball.

 

 

Note: See Alex Cox’s THE GOGARTH ABBEY

IN PRAISE OF THE WORLD WIDE WEB

For Steve Crewe

 

A journalist friend of mine in Jakarta

sends me articles online, which, in turn,

I share on Facebook, Linkedin and Twitter,

making me seem, after Francis Bacon –

who was purported to have read every

book ever written – the most erudite man

in Europe: an article, for example,

explaining that Plato was right when he claimed

the world is made of cubes, or another

about cougars in Yellowstone Park

occasionally dying from the plague.

 

The internet brings to my door swizzle sticks,

and tea-lights, the Selected Poems

of Norman Rosten, and the Complete Writings

of Phyllis Wheatley; provides unfettered

knowledge or illusions, the schooling that suits,

that sticks; takes instant messages of protest

to my MP, and the Prime Minister;

bonds me to an ubiquitous tribe

of iconoclasts; shows me not only

that the Emperor has no clothes but also

there is no Emperor nor ever was.

 

As I write I think of who might read this

published on my website – in sunlight

on their phones, beneath a lamp, rain drubbing

on window panes; at what latitudes

and longitudes, on what continents,

in what tropics and what temperate zones;

actual and virtual friends, and strangers;

a humbling fellowship.

 

 

 

HOME TIME

David Selzer By David Selzer3 Comments1 min read1.6K views

The ditches along Duttons Lane have been full

much of March – because February-fill-dyke

was mostly dry, almost Spring for days.

The glinting water is dark as black tea,

brown as bitter beer. Along Acres Lane

the hawthorn hedgerows are beginning to green.

 

We park as near the school as we can.

The leafy lane is overflowing with song.

As we walk through the security gates

to join the others waiting – a social mix,

and mainly white – a westerly wind

brings the roars of lions from the zoo nearby.

The daily Beluga flies overhead

with parts from Toulouse for Airbus wings

to be built at Broughton. The handcart

we may go to Hell in will be well designed!

 

But she appears, our quotidian

messiah, the unexpected grandchild

to redeem us in our eld, our dotage.

How she inundates our doting hearts,

makes us merry with love!

 

 

 

THE BROKEN BRANCH

Where the primary school and the houses end

are hawthorn hedges and occasional oaks

on either side of the lane. From the school gates

the leafless trees are an arching, tangled

fretwork – closer each twig is proud, discrete,

vital, sentient. A sudden gust of wind,

or a lightning blow, in one oak tree’s

early growth snapped off a branch, and left an arm

with a claw like a beak. Shut behind the gates

the gradground children have no chance at all

to imagine the stub of a branch a bird,

note the old birds’ nests in the hedgerows,

acorns crushed beneath occasional tyres,

and, whole, nestling in the wintry verges –

or count the first green leaves.

 

 

 

A CHORUS OF ZITHERS

The English education system is made

to inculcate compliance – through failure –

with the nation’s stereotyping.

It remains still a work in progress.

For nearly seventy years most learners,

unless they passed an exam at eleven,

would stay in the same council school from four

to twelve, then thirteen, fourteen, fifteen.

When I was seven I attended one

of the last such schools, at the end of our road.

There were two entrances with GIRLS & INFANTS

and BOYS carved in the sandstone lintels,

and so two yards – one for spears, one for distaffs!

Whatever the weather the boys would line up.

Once through the doors we would walk single file

through the cloakroom, zig-zagging past each row

of numbered pegs, each row monitored

by a pupil in his final year, who might

already be fifteen, and even shave.

 

That year the movie, The Third Man, was released,

and the theme music played on a zither

became popular on the radio,

and part of the film common knowledge:

Holly Martens stumbling after Harry Lime,

his erstwhile friend, through a dripping tunnel

of shadows and echoes, revolver in hand.

 

One sleety winter day I remember that,

as we were trudging through the cloakroom,

hanging up wet coats – those of us who had them –

one of the monitors began to hum

the zither tune, and the others took it up.

The impromptu choirmaster turned off the lights,

and, smiling in the gloom, not unkindly said,

‘We’re blind in the sewers!’