POETRY

APHORISMS AND INDEMNITY: AN IDEA OF AMERICA

David Selzer By David Selzer1 Comment2 min read1.7K views

For Clive Watkins

 

‘The maker’s rage to order words…’

THE IDEA OF ORDER AT KEY WEST, Wallace Stevens

 

There, as we drove past the Heritage Centre

that once was a medieval  church, on the steps,

among the shoppers and the trippers,

there on a provincial, English street

was a busker with a blue guitar.

 

And I thought of the poem by Wallace Stevens,

who did not drive, and walked to work each day –

from his house on Westerly Terrace

to his office on Asylum Avenue

at Hartford Accident & Indemnity –

composing verses and aphorisms,

jotting them down on a legal pad

for his secretary to type up:

 

The man bent over his guitar,
A shearsman of sorts. The day was green.

They said, ‘You have a blue guitar,
You do not play things as they are.’

The man replied, ‘Things as they are
Are changed upon the blue guitar.’

And they said then, ‘But play, you must,
A tune beyond us, yet ourselves,

A tune upon the blue guitar
Of things exactly as they are.’

 

The ‘Adagia’ of Erasmus – Ancient

Greek and Latin sayings now become common,

like ‘to die of laughing’, ‘out of tune’ –

inspired Stevens to coin adages:

for instance, ‘God is a postulate

of the ego’, ‘Money is a kind of

poetry’, ‘Every man dies his own death’.

 

He wintered – without his wife and daughter –

in Key West. A tall, heavy bodied man –

nicknamed ‘Giant’ at Havard – he was prone

to Martinis, and had a fist fight

with Ernest ‘Papa’ Hemingway, five inches

shorter, two decades younger, and prone

to Mojitos. Giant, it was alleged,

had sneered at Papa’s literary achievements.

The Ivy League lawyer was felled by two blows

into a puddle. He died, in his bed,

many years later, fully insured.

 

A black and white photo shows Stevens walking

almost jauntily in winter sunshine,

and self-consciously twirling his cane.

Beneath his straw boater he is smiling

circumspectly – as if W.C. Fields

(Mr Macawber in Hollywood’s

‘David Copperfield’) had just fallen

on the softest of times. The comic actor,

who was also rather prone to Martinis,

had opened a savings account in each town

where he toured in vaudeville just in case

hard times returned. All over America

the nickels and dimes gather interest.

 

Somewhere in Missouri or Texas,

Illinois or California,

in his faded denims and his baseball cap,

waiting for a ride beside the black top

is an ageless man with a blue guitar.

 

 

 

THE TRICKSTER

David Selzer By David Selzer2 Comments2 min read1.6K views

Whether the same crow as last year has returned

or this is a different crow with the same habits

is as much a metaphysical issue

as a zoological one – whichever

is the case the sequence of events

in the Great Lockdown is being repeated.

Early morning the crow flies in, and places

a piece of bread in the bird bath – where blackbirds

have bathed, and robins sipped; flies off; returns

in hours, and snacks on the marinated bread;

flies off; returns, and so on until

the starchy carrion has all gone.

 

Last year baguettes were preferred – this year crusts

with butter and strawberry jam. I watch,

from the kitchen window, the creature

gripping the edge of the diminutive

bird bath – not a sable, obsidian

feather out of place, its neolithic beak

supping fastidiously. We thrive

on patterns me and the crow – it snacking

on throwaways, me making nine, ten,

eleven beats to the line. So is this,

perhaps, some prank from beyond the grave – Ted

Hughes’s Crow mocking my orderly verses?

Or a hoax – the black spot posing as white bread?

 

When I inspect this morning’s dunking –

a triangular piece of garlic bread –

the crow, on a nearby chimney, sets up

such a cawing one would think, in the words

of the old saw, the world was about to end:

when we may perish from surfeit, or from

puzzlement, when earth, air, water are

consumed with plastic particulates,

and small family groups in unnamed deserts

defend their pots of fire?

 

 

 

 

INCONSEQUENTIAL

David Selzer By David Selzer0 Comments1 min read1.5K views

A long section of the grassy bank beside

the ornamental lake is roped-off –

a pair of Canada Geese is nesting,

the first in the history of the Park

with its long-serving Coots and Mallards.

We sit on a bench and contemplate the geese –

almost as big as Mute Swans; adept

colonisers, considered still, after

three hundred years, non-native; this chance pair

perhaps blown off course between raucous lagoons.

 

We are distracted by raised voices

from the opposite bank – three picnickers

on a rug in the April sunshine,

a young woman and perhaps her parents.

Between the murmur of the older woman’s

responses and the man’s rumblings, we hear

occasional words from the impassioned

young woman: ‘…moral compass…out of control…

no time limit…crimes against humanity…

Iraq…Afghanistan…Northern Ireland!!…’

 

At our feet an Ivy Bee – a much newer

immigrant than the geese, landing where Hitler

and Napoleon were expected,

and moving a little further north

year by year – is making a nest in the bank.

Finished it disappears into the earth,

leaving a perfectly circular mound

of grains of sandy soil – a solitary,

relentless labourer, a bee for our times.

 

 

 

 

 

 

OLD EUROPE’S SLOW DEMISE

David Selzer By David Selzer3 Comments2 min read2.4K views

The day King George died they cancelled Children’s Hour,

and filled the evening with ‘solemn music’.

The day his son-in-law died Gardeners’ World

was cancelled, and the corporate ether filled

with hacks masquerading as historians,

historians as hacks, confidently

exuding contradictory gossip, viz.

his father-in-law ‘feared him’, ‘loathed him’,

‘really respected,’ ‘admired immensely’.

 

The Duke was one of the few men or women

remaining who might have thought of the Hapsburgs,

the Hohenzollerns and the Romanovs

as family, and knew intimately those

who had witnessed the eagles fall. He was born

a month after the partition of Ireland.

The nights of rioting – by the Queen’s

Loyalist subjects – preceding his death

might have been deemed, at one time, ominous.

 

His was to have been a state funeral –

the flag-draped coffin on a gun carriage pulled

from the Palace by eighty ratings,

along Pall Mall, across Horse Guards Parade,

into Whitehall down to the Abbey,

just the sound of the steel-rimmed wheels, the boots.

Covid 19, if not the great leveller

then certainly a major purveyor

of ironies, well and truly – to use

a fittingly naval phrase – scuppered all that.

 

Though none of the sycophants have mentioned it,

hopefully the Prince appreciated

irony, at, as it were, his own expense.

Having invented the Royal Family

as a media product he appears

to have been appalled by the disrespectful

exploitation of the embarrassed

celebrities he created – and, ersatz

Greek that he was, perhaps remembered

too late Prometheus’s fate. However,

whatever the final sum might be of his

long, privileged life, a very old woman

has lost her friend of more than eighty years.

 

 

 

 

PEN BARRAS PASS

David Selzer By David Selzer2 Comments1 min read1.8K views

At the very top of the pass a crow is perched

on the car park’s dry stone wall. The bird’s

black magnificence is ruffled by the wind.

With two wing beats, as we approach, it lifts off,

above the narrow road down the escarpment,

into the thermals from the valley.

A market town and pastoral farmlands

are hundreds of dizzying feet below.

 

This range of towering hills stretches north

from moors of gorse and heather to the coast

with caravan parks and carousels.

The iron age hill forts on four of the peaks

are enigmatic. Who built them? Why?

Were they all linked – by messengers or beacons?

Did they trade? Imagine the same gods and stories?

And did the view westward, over the empty vale,

of distant, purple mountains, treed then,

or eastwards down the gradual slope

to that far, wooded plain, empty of cities,

inspire or terrorise?

 

 

 

THE ABUNDANT DARK

David Selzer By David Selzer3 Comments1 min read1.9K views

Since late February it has barely rained.

The river is low. On the far bank

is an oak, scorched, blackened in last year’s storms.

Some way downstream birdsong seems louder,

the wind’s soughing through the leaves more intense.

Suddenly, between the trees, a wide, white path

of broken stones appears. The river has gone!

Somewhere, in this deceiving landscape,

in this bucolic dingle oceans made,

in this valley of lost industry,

dappled, silvery waters hurry,

like lightning, down limestone swallow holes

into the abundant dark.