POETRY

AT ROSCOLYN

Caernavon Bay is below, and to the west

the Irish Sea. The restive winds and waves

are lulled now to a breath, to a swell.

In the distance the London-Holyhead train

crosses the causeway. A multi-decked ferry

from Dublin is entering the harbour.

 

After the Druids hid, and the Romans left,

there came a multitude of saints, mostly

martyrs, not infrequently princesses,

renowned in death for healing the heart’s anguish.

St Gwenfaen – ‘Blessed White Rock’ – was one such.

Roscolyn’s plain parish church dominates

the high ground where her cloistered cell had been.

 

Someone has put a bench outside the churchyard,

perhaps for those returning from the saint’s well

on the headland, their torment gone, abated.

The dry stone walls and sheep-grazed fields stretch

in a soundless haze this kind summer evening.

 

 

 

MANY A SUMMER

As usual Uncle Tacko is trundling

his Flea Circus to the end of the pier,

and the Island Princess is embarking

for a trip up the Straits and around

Ynys Seiriol with its nesting puffins,

its elderberry woodland purpling.

And the dogged chambers of my heart, open

and close, open, close, like an harmonium.

 

All the familiar sounds – the Flea Circus crowd,

the paddlers in the pool, the revellers

on the hotel lawn next door – carry

to this balcony like paper lanterns.

Who would have thought that, like war babies

from Surbiton holidaying per annum

always in Bournemouth or Bognor Regis,

we would count the benches here every year,

value each of the stanchions of the pier,

the stones of the castle, the courthouse, the gaol.

I see you crossing the Green towards the house.

The medicated chambers of my furtive

heart are humming, like a Welsh male voice choir,

‘The more I see you as years go by’.

 

 

Note: Uncle Tacko’s Flea Circus: http://www.prom-prom.com/acts/uncle-tackos-flea-circus/

DRIVING INTO THE DARK

For Annabel Honor-Lissi

 

In those stark dreams when sleep shades into waking,

dreams that haunt the light like a taste in the mouth,

or a name half-remembered, half-forgotten,

I am always travelling – this dawn

along the black tops and the turnpikes,

from the Texas Panhandle north east

to Casco Bay, Maine. Ahead is the thought

of moments, or a non-stop two day drive:

from the sun-belt’s stubborn, garish pandemic;

via the fame of Dallas, the sentient

battlefields of the civil war, the rusting

foundries of the east, to stand on the bay’s

windy shore; and contemplate an island,

where black and white war refugees lived

as one – until the prospect of profit

evicted them, and dug up their graves.

The New Meadows River and the Atlantic

swirl round the verdant ruin of Malaga.

Are lost chances ever redeemable?

But no dreams end where they should. The sun

is already setting as I cross

the Red River into Arkansas.

A storm is coming westwards from the Great Plains.

The darkness I am driving into gleams

with centuries of rain.

 

 

 

 

THE CLARINET

I listened to Artie Shaw and Benny Goodman.

I liked the keys’ silver superstructure,

and the ebony stick with its subtle bell,

and its tones – mellow, lustrous, shrill, caressing.

So, to and from school, I chose to pass

a second-hand shop with a clarinet

on display in its eclectic window.

I saved for a year. ‘No,’ said the man. Next day

it was gone from the display forever.

 

My daughter took up the instrument

unprompted. Her daughter has followed.

I like to think that an ancestor of ours

was clarinettist in a klezmer band

with a cymbalist and a violinist,

in Bialystok, Lvov, or Kishinev,

walking and playing from shetl to shetl,

marking life’s circle of weddings

and funerals with that joyous music –

before the world was set on fire.

 

 

 

THE BANDED DEMOISELLE

If Ezekiel’s watchman, or, rather, God’s

had been on the job there would have been

some sort of heads-up – a cornet perhaps

if not a fanfare – that the Parish Church clock,

put in place in 1867,

would be chiming again, hours and quarters,

this summer morning. But it just happens –

almost surreptitiously, like some

member of the chorus in an opera

sneaking on late from the wings. And late it is

by a few minutes – as before it was fast.

 

Such churlishness, some would say, is tantamount

to treason – as the Prime Minister

of one of the earth’s richest countries,

though singlehandedly it seems fighting off

phalanxes of invisible foes, finds time

to fly to the Orkneys for a photo-op

with a couple of large crabs on the deck

of a trawler in Kirkwall harbour,

and speak with officer-class passion about

the abstract benefits of the Union –

the English monarchy’s first colonies –

whose strength has helped us through…and will again…

 

As Benjamin Franklin – who chased lightning,

with an iron rod, on a horse – once said, “Tricks

and Treachery are the practice of fools,

that do not have brains enough to be honest”.

And I recall that the name of the church –

built in local sandstone for a burgeoning,

provincial bourgeoisie – is All Saints,

so no bases or bets left uncovered there.

Nevertheless, when I hear the chimes

and watch my live-in gardener – whom

I have loved for nearly sixty years –

building a rockery in assorted stone

with alpines and lavender, there is some sense

of re-setting if not re-winding the clock.

 

Suddenly, out of the purple buddleia –

an import from China, nationalists

should note, that self-seeds particularly well

in ravaged, industrial wastelands –

a dragonfly appears, metallic green,

with fluttering wings, translucent, pale,

and disappears somewhere beyond the hosta

and the agapanthus. I learn, instantly,

it was a female banded demoiselle,

its habitat slow-moving muddy streams.

 

Beneath the garden and the house – a fort

against the dark – was a pond and a brook

speculative builders filled with rubble

more than two decades before the church was built.

That fragile creature of breath-taking beauty,

like a prophetess, divined the lost waters.

 

 

 

CIRCUS

Days after we had travelled east of Eden

we invented clowning and slapstick,

juggling and tumbling, magic and music,

and idleness to ease our banishment

from Paradise. So, for ninety minutes,

in this rare and aerial space of changelings

and kaleidoscopes, we watch acrobats

and clowns, conjurors and knife throwers turn back

the epochs as if pages in a book.

 

Like a sudden rush of snare drums, a brief

and heavy shower accompanies

the finale – but we emerge from the big top

into that special freshness after rain.

The church bell is tolling for evensong.

As if there were no sin, house martins

swerve and bank and twitter.