POETRY

DESTINATIONS & DESTINIES

Driving on education business to Crewe,

a quarter of a century ago,

I stopped for petrol on the Nantwich Road,

and there in a rack with Blur, Celine Dion

and Bon Jovi was Fred Astaire, Volume 2.

How my life changed! So many favourites

on one disc! I put the CD in the slot,

drove off the forecourt, and pressed the switch.

‘Heaven, I’m in heaven, And my heart beats

so that I can hardly speak, And I seem

to find the happiness I seek When

we’re out together dancing, cheek to cheek…’

and the track finished with his immortal feet

tap dancing in my company car.

 

I thought of Israel Beilin – as I parked

at the college to provide advice

on pedagogical strategies –

leaving school at eight to sell the New York

Daily News on the Lower East Side,

plugging songs at eighteen in Tin Pan Alley,

becoming Irving Berlin, auto-didact,

maestro of the music and the lyrics,

making witty, eclectic American

art from those spirited, Yiddisher streets.

 

When I drove away the car filled again

with Astaire’s light, pellucid voice: ‘Before

the fiddlers have fled Before they ask us

to pay the bill And while we still have that chance

Let’s face the music and dance.’

 

 

 

AUTUMN

When I return with mugs of peppermint tea

you are asleep in the October sunshine –

a fallen golden birch leaf at your feet,

a last wasp buzzing in your shadow.

We have grown old together, ancient

in our ways. But age is a wrinkled

masquerade. ‘Old clothes upon old sticks

to scare a bird,’ as Yeats wrote, at sixty,

a mere stripling. We seem sole survivors

of our youth and prime – so many dead

have fallen by the way. We have made a pact –

and will keep to it if chance permits –

to die, like the luckiest of monarchs

amongst their treasures, in our own bed.

I put the mugs gently down beside you

on the low, stained table we have had for years.

‘O body swayed to music, O brightening glance,

How can we know the dancer from the dance?’

Yeats asked. You wake, and smile.

 

 

 

ROSEBUD

‘It is the most humble day of my life,’ Rupert Murdoch

 

Beech trees, in full leaf, more than a hundred years

high in the park a street away from here,

rise sheer like raggedy cliffs, a last hurrah

of pragmatic philanthropy – like Rome

before the fall – amid the indifferent

splendour of empire: town halls designed

like palaces, museums like town halls.

It dies spluttering in Flanders mud, choking

in dugouts on Gallipoli’s cliffs.

 

Rupert Murdoch’s dad, a Sydney Sun (sic)

hack, who had the ears, surprise surprise,

of politicos north and south, exposed

Anzac carnage on Ottoman shores,

and brought the boys back just after Christmas –

so doing good through cunning, his means

justified by his goal, the goal always right.

 

As Citizen Kane aka Randolph Hearst –

one of the first tycoons of the gutter press,

war monger, dirt disher, future mangler –

lay dying, “Rosebud,” was the last he said:

a small, wooden sledge, the name in floral white,

his curtailed childhood tangible among the

vast, serried desert of his acquisitions.

 

High above the beeches of St James Park

the Dirty Digger watches from his penthouse

as white pelicans – a gift from Russia

for Charles II, who knew a thing or two

about dads – rise from the lake in the park,

fly towards the Palace then wheel back

over Horse Guards and the MOD,

the birds – their call a grunt and a whine – for some,

a symbol of the Passion on the Cross.

The Breaker of the English-speaking world plots

what lie he will tell Death.

 

 

Note: the poem has subsequently been published in EAP: THE MAGAZINE Winter 2012: Errors of the Gods – https://exterminatingangel.com/rosebud/

CONFUSED ALARMS

One of my favourites poems is Dover Beach.

I read it first at school when I was fifteen.

It seemed a fine thing to have written –

evocative, erudite, sonorous,

personal. Matthew Arnold, the advocate

of ‘sweetness and light’, honeymooned abroad

the year of the Great Exhibition.

Returning to England they stayed the night

at the Lord Warden Hotel – before taking

the train to London – no doubt to recover

from the paddle steamer that ferried them

across the English Channel, a craft,

though independent of the wind, tossed

by the waves, whose swaddled passengers travelled

au dehors. The poem begins ‘The sea

is calm tonight.’ From his window he can see

across to the French coast where a light gleamed

briefly. He calls his wife to his side,

and they listen to ‘the grating roar’ of the tide,

the unceasing waves shifting the pebbles.

 

For Arnold Great Britain was not the land

of ingenuities the Crystal Palace

hymned but of Blake’s dark factories. ‘…the world

Hath really neither joy, nor love, nor light,

Nor certitude, nor peace, nor help for pain…’

What would he have thought of us who measure

this country’s wealth in Costa coffee spoons,

eschew the Europe whose cultural heritage

is ours, make dishonour a virtue,

and still send tens of thousands of children

hungry to shared beds in inadequate rooms!

‘And we are here as on a darkling plain

Swept with confused alarms of struggle and flight,

Where ignorant armies clash by night.’

 

 

 

ON BENLLECH BEACH 2020

We have moved once to accommodate the tide

on this August strand, crowded with many

who otherwise would have been in the Algarve

or on some island in the Aegean.

At least the sands are free this year of the Christians

whose jocular misanthropy of games

of tug o’ war takes up so much space.

 

High tide is still nine minutes away,

and the beach here rises just perceptibly –

but ramparts have gone, and a castle keep.

Someone has placed a child’s spade in the sand

guessing where the flow will end, the ebb begin –

or knowing it will be so, for the sea turns

just as it laps against the blue blade.

 

We are so pleased watching the waves recede,

as if we had outwitted them, outlived them

almost, we do not notice the spade has gone,

its modest owner emulating Canute.

On the horizon, anchored until high tide,

container ships and tankers are moving now

safe to cross the Bar, and sail into the Mersey.

 

Curious to face the sea as if facing

the future. Though the waters surge and swell

with many metaphors, for the most part

only the inevitable happens –

like the wave, the invisible tsunami,

that will strike these islands’ shores this coming

New Year’s Day. Something the hateful, the greedy,

and the ignorant have willed – for a chimera,

a mere abstraction.

 

 

 

THE NET

At the edge of the waves, as the tide flows

and the beach is gradually deserted,

a young woman wearing a hijab,

dressed for a rainy day at the seaside,

watches, concerned, as her grandfather,

a perfunctory beard on his long

Mughal chin, smiling, with horn-rimmed glasses,

in his Ralph Lauren green and white polo shirt,

trousers rolled high, up to his knees in water,

using a Kashmiri technique he has seen

on YouTube, casts – into the sky – a weighted,

conical, fishing net he bought online.

Its silver mesh scatters over the sea.