POETRY

THE VICISSITUDES OF HISTORY

David Selzer By David Selzer0 Comments2 min read1.6K views

i.m. Clara Isenberg

Her maiden surname was Isenberg, ‘iron

mountain’, one that had been chosen for them

from the Imperial list. I was often

uneasy, unsure in her presence.

She hardly ever smiled. I realise now

because I looked so like her son, my father.

She died, from kidney failure, when I was nine.

 

On the mantelpiece in our dining room

is a pair of figurines – faux Meissen –

brought in her parents’ wooden suitcase, wrapped

in linen, journeying from Leopoldstat,

Vienna, to Whitechapel, London.

 

She had a hat shop in Hendon. Sometimes,

when my mother helped out, I was allowed

to look into the deep drawers where the hats,

like exotic plants, lay on tissue paper –

but when the shop was full of customers

I stayed in the workroom. There were lengths of felt,

rolls of ribbon, a barred sash window

and a double burner that smelled of gas.

The two shop girls would make a fuss of me.

 

Each figurine has a young man and woman

dressed and posed as if just emerging

from Marie Antoinette’s rustic retreat

at Versailles, and mirrored in the matching

figurine. Before my time the head

of one of the swains has been glued back on

and the maids have lost a hand apiece

but their expressions of bucolic delight

have remain undiminished whatever

the vicissitudes of history.

 

While Grandpa did his ARP duty

back east at the Fire Station in Cable Street,

Nanny went to the spiritualist church

in Hendon. The Medium passed messages:

her soldier son was in pain no more;

she would see and hold him once again

forever in the light beyond. The matter

was off limits in the one bedroom flat.

 

She made cream cheese in a muslin bag

she hung from the cold tap in the kitchen

to make it set. The whey would drip through the night,

minute by minute, hour after hour.

When she made apple strudel the flat

was aromatic with cinnamon.

 

 

 

THE PIER, BEAUMARIS

Low water now and the motley of crabbers

is crammed towards the end of the pier,

leaving space for a merry metaphor

of our times, Uncle Tacko’s Flea Circus,

with its innuendo and innocence,

its knowingness and charm, its vaudeville

of outrageous unnuanced half-truths,

its charivari of anachronisms.

 

The Bulkeley Hotel on the front (once

a private mansion of many rooms)

and the stone terrace of late Georgian

town houses in this holiday resort

speak of its erstwhile strategic value.

The servants in the yards would beat the fleas

from the covers, the curtains and the carpets.

 

Nobody takes home the crabs they catch.

The seabed surrounding the pier’s stanchions

is littered with the plastic detritus

of crabbing – nets, lines, bait bags of offal.

In dreams mottled crabs are manoeuvring

to the tops of the buckets, and scuttling

across the planks seawards.

 

 

Note: Uncle Tacko’s Flea Circus – www.prom-prom.com.

LLANDWYN, YNYS MÔN

Along the path beside the forestry road,

through the plantation of pine and larch

planted as saplings to keep the dunes in check,

there is a first sighting of the island

with its mediaeval saint’s ruined chapel,

between the trees and across a sandy beach.

 

Out of sight is a pebbly strand exposed

except at the highest tides: an impromptu

causeway – for holiday makers now;

once, for lovers to the chapel with its

rumours of martyred blessings; and, once,

for soldiers, manning the concrete pill-box,

out of sight at the island’s seaward end

above the cove of beached razor shells.

 

No invaders came to fill those years of tides –

except cormorants to breed on rocks

below the redoubt, and odd, nameless couples

across the mainland’s sand hills and scurvy grass,

over the slip trench and through the barbed wire

like soldierly pilgrims.

 

 

 

HOLYHEAD BREAKWATER COUNTRY PARK

The harbour breakwater built from limestone blocks

was the longest that the Admiralty

had commissioned. How important Ireland seemed!

 

On the Country Park lake sown with lilies

an old man sails his battleship. The lake

was a man-made pond that served the brickworks,

built to make the harbour buildings that are dressed

in the limestone quarried from the crags

beside which visitors park their cars.

 

A grass path leads through heather and gorse

down to low cliffs above the pebble shore.

Linnets and stonechats rise from bracken.

A StenaLine car ferry clears the harbour

and steers for the Republic.

 

 

 

SOUTH STACK, HOLYHEAD ISLAND

Beside the first angle in the zigzag steps

that descend steeply to the lighthouse –

where I have stopped to rest lungs and knees

and vow again this will be the last –

unique to this place on our planet

a fleawort is growing, its flowerheads

like miniature sun flowers. A red beaked chough

calls from the heathland above – pyrrhocorax,

pyrrhocorax. I can see Ireland from here –

the hills and mountains south of Dublin –

over an indigo sea whose waves

are barely ripples. Before taxonomies,

before words is wonder.

 

 

 

REGATTA, MENAI STRAITS

On the coast road across the straits the blue flash

of an ambulance appears, then disappears

behind a stand of trees and a barn.

 

The mainland late morning is so pellucid

one might almost count the dry stones in the walls

that mark the fields, climb past the sparse woods

and delineate the cropped moorlands

from the mountain tops. A cannon thud

starts the regatta of red sailed dinghies.

They scud and tack on the silvery straits,

their spinnakers burgeoning vainly.

 

The cannon thuds. Sails are furled and stowed.

The ebbing tide exposes wide sandbanks.

Swift clouds are covering the mountain peaks

and the woods are darkening, the road empty.

The brief day is over.