POETRY

THE GHETTO

We came here more than twenty five years ago

but know when we reach the Trei Archi bridge

we have gone too far and turn. (Distracted by

a young black man begging with a baseball cap

we had walked passed the sottoporto

where the curfew gates had been). We see

a man in a keppel show the entrance

to his children. Inside the Old Ghetto now

are information points, and a café

and a restaurant with kosher options.

In the New Ghetto’s spacious campo

are more eateries, and an accordionist

panhandling alfresco customers.

Stone benches have been placed, shade trees planted.

A patrol of three armed soldiers passes.

 

There is a generic memorial

to the Holocaust, and one to the transports

from the ghetto, the last including the sick

and the dying. Though the Doge et al

chose to believe Jews were as one there were

many languages and five synagogues

– three Ashkenazi, two Sephardi.

All waterways led to Venice, all winds

were fortunate for this cosmopolis.

Distant cousins of mine might have crossed

these pavings, disappeared into the fire.

 

A waitress blows a kiss to one of the soldiers,

the youngest, as they patrol again.

I think of the Prague Ghetto, its graveyard,

its leaning grave markers dotted with small stones.

Though we are never far from the sea

there are no pebbles here.

 

 

 

THE GULLS OF VENICE

‘Imperfection is in some sort essential to all that we know in life’.

THE STONES OF VENICE John Ruskin

 

Many things are forbidden in Venice:

sitting on the steps in St Mark’s Square;

hailing water taxis from water bus pontoons;

putting out food waste except on the hook

provided between the designated hours

in order to deter gabbiani;

of which there are two species, compatriots,

the black-headed gull and the herring gull,

comune and reale respectively,

‘common’ and ‘royal’ surprisingly,

perched opportunely on bricole,

the stout oak posts that have always marked

the lagoon’s few navigable channels,

or raucous overhead, out of sight, a

remembrance of home, above the still canals,

the silent alleyways.

 

 

 

THE LAGOON

Like most houses over centuries here

this one has been divided. What was its

courtyard is part of a private gallery.

A vine, planted in the yard – perhaps

in the island’s original earth before

alder pilings made the city’s foundations –

has thickened, grown on top of a wall,

almost hiding the broken bottles

embedded in cement, and then up

to our third floor balcony, covering

the pergola. The grapes are pearly, small, sweet.

 

There is no dulling roar to baffle sounds.

Two unseen neighbours greet each other

in the street below. We hear ‘acqua alta’.

Later from the courtyard comes the noise

of prosecco, and earnest chatter.

Distantly a vaporetto changes gear

as it docks. Cases are wheeled through the calle.

On time San Samuele’s single bell

and San Stefano’s leaning campanile

ring out, then fade. The expected storm breaks

with thunder – and drops tap on the leaves.

 

Lightning wakes me. Out of sight, far beyond

the limits of houses and paving stones,

hundreds of thousands of birds are shuffling

through salt marsh, on mud flats, in tidal shallows,

their cries and calls unheard.

 

 

 

A WINNING HAND

David Selzer By David Selzer1 Comment1 min read1.9K views

We met on the first working day of the week;

married, five years later, on a Saturday;

and sailed for Ireland on the Sunday.

This Monday marks fifty two years of mostly

wedded bliss; occasional toilsome woe;

loving; giving; hard work; grace – a pack of cards

without, for the most part, the jangling jokers.

 

Out of the grassy plains, along the Silk Road

from Samarkand, came the colours of

anarchy, of power and passion; came

the four corners of the world, its seasons,

its elements; came the months of the moon.

 

Partially obscured by damp, bronzed leaves,

there, one winter Sunday before we met,

discarded on a path of a public park

was the Queen of Hearts, blithe and propitious.

 

 

 

HESPERIDES

As goldfinches begin to sing and sparrows

chirp in polyphony, and swallows,

martins, swifts hunt with grace, the palette

of attenuated gold, amber, rose

is layered along the sea’s horizon

and the sun becomes a perfect disk

in the filtering, vermilion haze.

Anonymous con trails criss-cross the compass.

A lone swimmer crawls across the bay.

 

The evening star, sudden as a lamp, glints

in the afterglow. A wispy rain cloud forms

and drifts away like smoke. Somewhere a peacock calls

then, elsewhere, a donkey brays – ridiculous

and sublime, like figures in a masque.

A fishing boat, its stern light lit, leaves harbour

to anchor in the shelving deep and cast its nets.

 

 

 

 

STUDIES IN BLUE: PADDLING POOL, LLANDUDNO

Five men, in orangey yellow overalls,

using long handled rollers are painting

the paddling pool – which is the size of four

tennis courts – that blue which only colour charts

show or astronauts will see.  Beyond

is the limestone headland with rock-roses

amongst the scrub and fulmars nesting.

Far out to sea is a gathering,

stately and serried, of white, wind turbines.

 

I think of David Hockney’s iconic pools,

and of Robert Rauschenberg’s ‘Combines’ –

hybrids of sculpture and paint  – and his ‘Jammers’ –

unvarnished poles and coloured canvas.

 

Uniformed artisans – artificers

of the imagination – these painters

each year layer this surreal blue. Sea water

fades it, and tiny feet.