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BONANZA

David Selzer By David Selzer2 Comments1 min read2.2K views

When the village – which is set in the foothills

of Mount Carmel, in the hinterland

between the coastal cities of Acer

and Haifa, and blessed with seven springs –

had been ethnically cleansed, its villagers

exiled or unaccounted for, its name changed,

it became an artists’ colony,

attracting painters, sculptors, musicians,

composers, poets, playwrights, novelists,

film makers from all over the nascent state.

The pristine forests of native pine, oak,

alder, laurel, it was surrounded by,

were replaced with stands of European trees.

The stone houses were refurbished or razed;

the school became an exhibition centre;

the mosque a café called ‘Bonanza’.

 

The original village was founded,

it is said, by one of Saladin’s

commanders. Its abundant harvests

of wheat, sesame, carob – sheltered

from the prevailing north westerly winds

by the surrounding woodland, watered

by the perpetual seven springs – were sold

for centuries in the ancient markets

of Haifa and Acer.

 

 

 

PAINTING PARADISE

If I were a painter – and I would have

so many memorable titles – I would paint

your garden in all its rooms and seasons:

across the high back wall spring’s coral pink

clematis; summer’s sword-leaved, red-flamed

crocosmia by the aquamarine

gazebo; the white, weathered table and chairs

and the acer on the dark-brick terrace;

plants inherited, self-seeded, handed on

in stewardship – a world compendium.

You are the architect, builder, labourer –

and only begetter: ‘Sylvia Among

Her Sonnets Without Words’.