BONANZA

When the village – which is set in the foothills

of Mount Carmel, in the hinterland

between the coastal cities of Acer

and Haifa, and blessed with seven springs –

had been ethnically cleansed, its villagers

exiled or unaccounted for, its name changed,

it became an artists’ colony,

attracting painters, sculptors, musicians,

composers, poets, playwrights, novelists,

film makers from all over the nascent state.

The pristine forests of native pine, oak,

alder, laurel, it was surrounded by,

were replaced with stands of European trees.

The stone houses were refurbished or razed;

the school became an exhibition centre;

the mosque a café called ‘Bonanza’.

 

The original village was founded,

it is said, by one of Saladin’s

commanders. Its abundant harvests

of wheat, sesame, carob – sheltered

from the prevailing north westerly winds

by the surrounding woodland, watered

by the perpetual seven springs – were sold

for centuries in the ancient markets

of Haifa and Acer.

 

 

 

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2 Comments
  • Alan Horne
    March 29, 2024

    Thank you for the poem, David. I think that this and the previous three poems (‘Kafka in Berlin’, ‘The Glass Ocarina’ and ‘Speaking of Stones’) form an excellent series of responses to the present situation in Gaza. I don’t know if you see them as a series, but for me they certainly work as one.

    • David Selzer
      March 29, 2024

      Thank you, Alan. I always try to post a quintet of poems that are linked in various ways. ‘Wintering in Venice’, I hope, reflects some, at least, of the general themes of the previous four pieces.