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Ellesmere Port

CONSUMERISM

From the open air car park adjacent to

the first floor of one of the largest

department stores in Western Europe –

whose customers are car owning folk

with some disposable cash to spare –

I can see the methane being burnt off

at the oil refineries, and, beyond,

a bundle of wind turbines turning

on the flood plain beside the estuary.

 

On the opposite side of the busy road

from the store is the second largest

retail park in England. At its centre

a gleaming big wheel turns attracting

and distracting families of shoppers,

who have commuted from across the region –

north east on the motorways from the old

Cotton Mill Towns, south east from the Potteries.

The car I am sitting in was made here

in this town built for the refineries,

motor vehicles, and canals – with narrow boats

carting bags of coal and fetching finished goods.

 

In the furnishing department of this store

there is a new range: William Morris Towels.

Morris – iconic textile designer,

socialist activist, artist, poet,

author of ‘The Glittering Plain’ and ‘News

From Nowhere’ urged: ‘Have nothing in your house

that you do not know to be useful,

or believe to be beautiful’. Yesterday

it would not have been safe to ask about

the towels – and tomorrow it might be

unsettling again – but today

we may be comfortable in our knowledge

of where they were made, and how, and who made them.

 

 

THE PLAYMAKER…

David Selzer By David Selzer1 Comment1 min read451 views

For Mike Francis

 

…realising the hopes, dreams, nightmares, visions,

of other artists;

 

transporting us from a silent, empty black box to

Kwazulu, Hastings, the Marches, Belfast, the Balkans,

and endless rooms and streets in Ellesmere Port;

 

transporting us to a roundhouse, a pigeon loft, a ferry,

a seashore, a desert, a hill fort, a lonely farm, a cave;

 

truly gifted – with more than a touch of genius;

 

rigorously creative – solving problems with

always elegant, quality solutions;

 

mastering a repertoire of skills –

carpentry, metal-work, information technology;

 

mastering a range of technologies –

wood, metal, plastic, sound, light;

 

understanding, appreciating, exploiting

the grace and strength of materials;

 

a modest, unassuming, self-deprecating perfectionist.

 

 

 

NOT ANYTHING TO SHOW MORE FAIR

'Westminster Bridge', Canaletto, 1746



A league from Hoole is Westminster Bridge,

Ellesmere Port. Like Wordsworth, I composed on it.

The brick replica replaced the level

crossing, after the Borough had built

the Civic Hall in the boom time: Shell, Vauxhall,

overspill estates – a working class city.

Jobs went, the bridge stayed, no one made jokes.

The high street, strait, terraced, encompassed

all: Big Mac and sometimes on Sundays

Russian sailors window-shopping. Before me,

framed by the TSB and the Loyalist

Club lay the M53: beyond,

the Mersey – silent, still.