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English Channel

THE PRICE OF FISH AND THE VALUE OF NOTHING

When I was a boy I was often taken

to the aquarium on the promenade

by the Palace Pier, Brighton – a resort

and commuter town on England’s south east coast.

It was an hour’s train journey from London

on the Pullman Brighton Belle – with its curtains

and its table lamps – restored to pre-war pomp.

My favourite tank was devoted to sea fish

found in the English Channel – teeming still

from wartime’s cessation of fishing.

There were skate and flounder, dogfish and sole,

mullet and turbot, stingray and dab.

The Channel’s bluey grey waters pushed and pulled

the pebbly beach a bucket and spade away.

 

***

 

Our coastal waters have become the scoundrels’

last refuge, and the continent of Europe

has been cut off from us by a fog,

a miasma of xenophobia

and racism, hatred and envy,

lying and denial masquerading

as patriotism, truth and fact.

Being here at this moment is like

living among a hidden enemy,

aliens disguised as human beings,

a fifth column of racists and xenophobes,

latter-day Platonists obsessed with

abstractions and capital letters.

 

***

 

Piers – their width and length, their cast iron

stanchions and curlicues, the size and range

of their entertainment pavilions, the chance

of swaggering above the briny – were

a hallmark of the best resorts. Brighton

had two – Palace and West, the latter

my favourite as a boy with its small funfair,

green painted wrought iron slot machines,

and glass screens to keep the weather off.

Bankruptcy, neglect, storms, and arson,

over the last fifty years, have left four columns

and the skeletal remains of the tea room.

No one in authority appears

responsible for these vestiges –

which are like some permanent wreckage

of war, a parable of our civic life.

 

 

 

CONFUSED ALARMS

One of my favourites poems is Dover Beach.

I read it first at school when I was fifteen.

It seemed a fine thing to have written –

evocative, erudite, sonorous,

personal. Matthew Arnold, the advocate

of ‘sweetness and light’, honeymooned abroad

the year of the Great Exhibition.

Returning to England they stayed the night

at the Lord Warden Hotel – before taking

the train to London – no doubt to recover

from the paddle steamer that ferried them

across the English Channel, a craft,

though independent of the wind, tossed

by the waves, whose swaddled passengers travelled

au dehors. The poem begins ‘The sea

is calm tonight.’ From his window he can see

across to the French coast where a light gleamed

briefly. He calls his wife to his side,

and they listen to ‘the grating roar’ of the tide,

the unceasing waves shifting the pebbles.

 

For Arnold Great Britain was not the land

of ingenuities the Crystal Palace

hymned but of Blake’s dark factories. ‘…the world

Hath really neither joy, nor love, nor light,

Nor certitude, nor peace, nor help for pain…’

What would he have thought of us who measure

this country’s wealth in Costa coffee spoons,

eschew the Europe whose cultural heritage

is ours, make dishonour a virtue,

and still send tens of thousands of children

hungry to shared beds in inadequate rooms!

‘And we are here as on a darkling plain

Swept with confused alarms of struggle and flight,

Where ignorant armies clash by night.’

 

 

 

FLYING SOUTH

Ascending south east from Manchester, over

Eyam, the ‘plague village’, towards the Wash;

cruising over the Channel, observing

the shipping below me with wonder like some

latter day Bleriot; then Rotterdam’s docks

and the Rhine; sun glinting momentarily

like fireflies, and I am nonchalant

as Icarus, mindful as Daedalus,

noting place names freighted with histories;

past Munich, and the bared Austrian Alps,

then due south along the Balkan Mountains,

smoke drifting north from polluting fires,

roads following the contours, rivers the colour

of onyx; then the coast, and sea water

the westing sun has turned to mercury,

with Mycenae rightwards, leftwards Troy;

descending over the Dodecanese

to Cyprus – island of Aphrodite,

wine and olive trees, worked out copper mines,

abandoned churches – with its new money

and its old divisions.

 

 

 

A HOG IN ARMOUR, A PIG IN LIPSTICK…

David Selzer By David Selzer1 Comment2 min read703 views

The day after Thatcher was turned to ashes,

I crossed the channel by easyJet, noted

the busy shipping lanes, then saw England’s coast –

Dungeness and Romney Marsh, Dover’s cliffs –

and the North Downs towards Canterbury

becoming obscured by rain as we banked

for Gatwick. Once home, I caught up on the news.

 

She was fêted in Chelsea, reviled

in Barnsley. Her official biography

was due to be broadcast as the BBC’s

Book at Bedtime. And her policies,

as always, dividing and divisive.

 

At the High Table, New College, Oxford,

dining with Dawkins and his acolytes,

the Iron Lady with lips of Monroe

and the Emperor Caligula’s eyes –

an erstwhile chemist who once worked for

J. Lyons & Co on ice cream preservatives –

misunderstood the talk of the selfish gene,

the immortal gene, and thought she had learned

there is no such thing as society –

her version of Caligula’s horse –

from her intellectual, though, of course, not

her socially aspirational betters.

 

So undigested science was used

to justify greed and social mayhem.

How could a democracy be traduced

by an obsessed, bitter causer of havoc,

determined to redeem feudalism?

Her methods were Hitler’s – challenge the foe

with extremism and await concessions.

 

I remember the young sleeping in doorways,

students sharing textbooks, roads unmended,

civic dereliction; the overthrowing

of unelected union barons

for unaccountable press barons;

and always the scoundrel’s final refuge

Little England’s patriotism.

Her history will be written as

both tragedy and farce.