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Orpheus

THE NETHER PORTAL

Fifty years ago the garden of what is now

our house was five times its present size –

a garden that had been a field, and a heath.

A builder turned an orchard, borders

and most of a lawn into three modern

terraced houses and eight lock-up garages.

Part of what remained of the lawn was a dump.

 

Occasionally odd things still turn up –

like bits clinker, rusted iron, and, today,

a small piece of coal, of anthracite,

its planes and angles glinting like lightning

in the blackest of skies as I hold it up

to show my ten year old granddaughter.

‘What’s this, do you think?’ ‘Obsidian?’ she says.

‘It’s coal,’ I say. She looks at the geometry

of its blackness with the wonder I would feel

if I were to see obsidian. Seeing

my face she helps me with my homework.

‘It’s black volcanic glass. And in Minecraft

the Nether Portal is made from it.’

 

Plato maintained that the structure of the world

was cuboid. According to the elder Pliny,

Obsidius, an explorer, discovered

the sable glass in Ethiopia,

and was impressed by its sharp rectangles.

Stone age peoples made it into arrow heads,

who maybe believed in that portal,

through which Persephone and Orpheus

separately, reluctantly, descended – each returning,

one with glory, one with remorse. And I think

of the others, unnumbered, getting the coal

this child of the future has marvelled at,

coal that has set fire and water at odds

to envelop the world, rendering it

all desert or ocean.

 

 

 

OUT OF THE EARTH

The park’s diagonal avenue of limes

is in leaf. A warm southwesterly

billows through the foliage like falling surf,

like the tumultuous rushing of flames.

I watch you walk away under the trees,

and disappear into the green shade.

 

On the path directly opposite,

across an uncluttered expanse of grass,

you reappear some moments later,

undeterred by a surge of carefree cyclists

taking short cuts, or self-absorbed dog walkers.

You vanish beyond the wind-swept tennis courts.

 

As if I were some ancient and complacent

Orpheus I know that I shall see you –

walking beneath the tumult of the leaves,

sure-footed on the airy ground – and feel

that wave of love like fire.

 

 

 

ORPHEUS

David Selzer By David Selzer0 Comments2 min read405 views

The high windows caught the sky, varicose,

livid. The house was empty, unlived-in.

He hurried down wide paths strewn with rose petals,

wind-culled and faded. He searched borders,

bushes, her features imaged and snared in shapes

of angled branch and thorn, an orange sun

searing gun-metal clouds, the fountain sprouting

papery leaves, its bronze boy greening alone.

Ivy’s grasp crumbled artifice, obscured

the basin inscribed with a sonnet.

Soughing of breath or the wind in the arbour

summoned him into its close. She was there.

Her brow on the cold pane, she saw the fire’s

mirror – then looked suddenly beyond

to examine a shape falling slowly:

a leaf, a bird, a dark star, sharpening

from blur through disc to pentangle

becoming – a man. Not the imagined

scream, the body’s slump on the terrace,

servants running towards the now headless corpse

but the incomplete moment was memorised,

the continuous present, choosing, longing:

a stranger falling to earth, without

history or songs but with infinite

consequences now not quite beginning.

The house lay far behind; through snow that flurried

eyes, rain that haled the flesh, hopelessness

choking like marsh light; through smoke from burning

stands of silver birch, a bitter smoke

that crackled forth like speech and swathed the head that

sang where it had fallen, sang finely,

like grasses or a stream, of hills as smooth as

limbs, of forests deep as memory,

of golden-helmeted horsemen cantering

eastwards over soft, wordless floors – one carrying,

by its black hair, a head scattering

blood like roses and sublimely singing.