Tag Archives

paradise

SURELY

So many years of marriage should be marked,

they say, by china – the product, of course,

not the place. So a sturdy mug for us

from the Five Towns – or a translucent

teapot from Nanking? China, it is:

willows by a stream, a template of an

eastern Eden and, on the bridge, two –

or three? I know a better token.

 

Two pear trees in our daughter’s garden were

remnants of an orchard before the town grew.

A jasmine, a grapevine and the trees

had grown together in sure companionship.

With fruit (albeit a tad vintage!), leaves

for modesty, dappled shade in sharp sun,

rich perfume on a summer night, you –

a surely unbreakable paradise.

 

 

 

GARDEN OF EARTHLY DELIGHTS

The left, centre and right panels of the tryptch, ‘Garden of Earthly Delights’, by Hieronymous Bosch circa 1510

 

Paradise flocks. Christ is blessing Adam, Eve

and, looking our way, us. We know, we

know – but a dirty trick to make evil

interesting! Lords and ladies teem: nude

armies on sensual manoeuvres.

In the nightmare, penis becomes knife, vulva

a cracked, open egg on tree-like legs –

and a man, elbow on the cut-away edge,

is unmoved. Hells’ punishments become our

crimes: towns burn; refugees drown; a man

is crucified in a harp. Hell’s commandants

play sonatas – and someone watches

and is indifferent.

 

HEAR THE DRUMS

This full length stage play focuses on Jamila, a sixteen year old girl of mixed Afghani and English parentage: on her struggle to determine her cultural identity, her longing for her father whom she has been brought up to believe is dead but whom she discovers, by chance, is alive and a prisoner of the Americans in Afghanistan – and her confronting the lies and misunderstandings that have had such tragic consequences for her family.

You can download the main text as a pdf:

HEAR THE DRUMS MAIN TEXT

A list of characters, information about where and when the action is set and acknowledgements are also available as a pdf:

HEAR THE DRUMS – CHARACTERS, LOCATION, ACKNOWLEDGEMENTS ETC.

 

 

Note: the play was a prize winner in the Sussex Playwrights’ Club 2009 Full Length Play Competition.

 

 

 

 

A POET IN WARTIME

Nuns clambered on the headland. Like scarabs,

they traversed the sage slope of limestone

to the hermit’s shrine. Marine creatures, landlocked,

awaited the sea’s coming. The poet

descended by funicular to the bay’s

elegant crescent of hotels. Mists

trailed the foothills of distant peaks. In saloons

of bevelled mirrors, his comrades sang

marching songs. A love poem formed like breath.

 

He crunched on innumerable pebbles.

Waves gasped and sighed, smoothing the wooden groynes.

Two aircraft, high, high above, dived, banked, climbed –

a predatory bond of whining vapour loops

interlocked like wire – until a spurt of flame.

In smoke, one spiralled like some gross leaf

under the horizon. By the sea wall,

a cormorant lay dead: nearby, a page

torn from Treasure Island. Unexpectedly,

he returned to childhood – holidays

in small rooms with giant wardrobes and tall beds;

a flying boat landing from beyond the blue,

feathering the briny; expensive strangers

embarking for Samarkand; at the Grand,

legerdemain. The sea flowed oyster.

 

Teatime arrived with its obligations,

allotments, chapels and a woman

methodically descending a ladder.

Drizzle suffused the geometrical skies

of barrack windows. The grey tide rasped.

The night was full of girls he would never see.

Nuns dreamt of scaling paradise. Fossils

and saint were locked in their diurnal chambers.

The poet approached sleep, dreaming of

water – purposeless, unmade, fulfilling –

and lavender seeds – in the small, azure

pomander, locked away, safe from winter –

changing slowly into air.