Tag Archives

Pilgrim’s Way

SILENT POOL, MARCH 2013

The pool is off the Dorking-Guildford road,

at the foot of the North Downs; is fed

from a spring, which seeps through chalk and flint;

is so-called for allegedly no birds sing

in this glade of ash, oak and yew;

a place of legend, of Druidic worship,

rumoured deep enough to drown secrets.

A sharp March wind rattles twigs and branches.

 

By the side of a flint pathway – that leads

to the top of the Downs with its Pilgrims’ Way,

an old drovers’ road – is a second world war

‘pillbox’, its unadorned and concrete

symmetry stark, a forgotten reminder

of fears of invasion from Bonaparte

to Hitler – not without reason in this land,

like many, pillaged over and over.

 

Edward Thomas, after his breakdown,

cycled westward, a century ago,

from Clapham to the Quantocks in pursuit

of spring in turbulent weather like this.

That laureate of the moment – the hoot

of an owl, grass stilled in the heat – briefly stopped here

the year before he wrote his first poem,

two years before he enlisted, three

before a shell blast killed him at Arras.

 

 

THE STREET PARTY

David Selzer By David Selzer0 Comments2 min read1.6K views

Above every Mairie flaps the Tricolour.

On every lawn, in every yard through the gut

of America – where the Great Plains began

before the farmers came with wheat and pigs

and soya fields – Old Glory flutters.

Above the reception desk in every

riad in Morocco the king’s photo hangs.

Here, things are never that unambiguous.

 

In a street near the foot of the Downs,

too steep for tables, they have strung bunting

from house to house, moved cars, hired a leaning

bouncy castle and shared barbecues.

 

This chalk, grassland common – that slopes upwards

to the flint ridge with its Pilgrim’s Way,

from Winchester to Canterbury,

for a Norman priest killed by Norman lords –

is a (mostly) English floral lexicon:

Meadow Cranesbane, Meadow Vetchling, Yellow-rattle,

Dove’s Foot Cranesbill,  Common Spotted Orchid.

 

A Skylark ascends from the unmown grasses.

I think of Vaughan Williams’ orchestral piece,

with its shimmering solo violin,

the George Meredith poem which inspired it –

‘He rises and begins to round,
He drops the silver chain of sound,
Of many links without a break,
In chirrup, whistle, slur and shake’ –

Celts evoking the essence of what was theirs.

 

The party dwindles as the drizzle arrives.

To be English is to be contrarian –

not being Irish, Scots, Welsh or ‘foreign’.

At the top of the street, a patriot with

a large, St George’s Cross drooping above

the privet hedge, has lit a bonfire

in a garden incinerator.  The rain,

now heavy, drums on the lid and, though sodden –

being dressed in England football strip –

he forces wet, tabloid newspapers down

the narrow funnel. Acrid smoke wafts up.