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Pilgrim’s Way

SILENT POOL, MARCH 2013

The pool is off the Dorking-Guildford road,

at the foot of the North Downs; is fed

from a spring, which seeps through chalk and flint;

is so-called for allegedly no birds sing

in this glade of ash, oak and yew;

a place of legend, of Druidic worship,

rumoured deep enough to drown secrets.

A sharp March wind rattles twigs and branches.

 

By the side of a flint pathway – that leads

to the top of the Downs with its Pilgrims’ Way,

an old drovers’ road – is a second world war

‘pillbox’, its unadorned and concrete

symmetry stark, a forgotten reminder

of fears of invasion from Bonaparte

to Hitler – not without reason in this land,

like many, pillaged over and over.

 

Edward Thomas, after his breakdown,

cycled westward, a century ago,

from Clapham to the Quantocks in pursuit

of spring in turbulent weather like this.

That laureate of the moment – the hoot

of an owl, grass stilled in the heat – briefly stopped here

the year before he wrote his first poem,

two years before he enlisted, three

before a shell blast killed him at Arras.

 

 

THE STREET PARTY

Above every Mairie flaps the Tricolour.

On every lawn, in every yard through the gut

of America – where the Great Plains began

before the farmers came with wheat and pigs

and soya fields – Old Glory flutters.

Above the reception desk in every

riad in Morocco the king’s photo hangs.

Here, things are never that unambiguous.

 

In a street near the foot of the Downs,

too steep for tables, they have strung bunting

from house to house, moved cars, hired a leaning

bouncy castle and shared barbecues.

 

This chalk, grassland common – that slopes upwards

to the flint ridge with its Pilgrim’s Way,

from Winchester to Canterbury,

for a Norman priest killed by Norman lords –

is a (mostly) English floral lexicon:

Meadow Cranesbane, Meadow Vetchling, Yellow-rattle,

Dove’s Foot Cranesbill,  Common Spotted Orchid.

 

A Skylark ascends from the unmown grasses.

I think of Vaughan Williams’ orchestral piece,

with its shimmering solo violin,

the George Meredith poem which inspired it –

‘He rises and begins to round,
He drops the silver chain of sound,
Of many links without a break,
In chirrup, whistle, slur and shake’ –

Celts evoking the essence of what was theirs.

 

The party dwindles as the drizzle arrives.

To be English is to be contrarian –

not being Irish, Scots, Welsh or ‘foreign’.

At the top of the street, a patriot with

a large, St George’s Cross drooping above

the privet hedge, has lit a bonfire

in a garden incinerator.  The rain,

now heavy, drums on the lid and, though sodden –

being dressed in England football strip –

he forces wet, tabloid newspapers down

the narrow funnel. Acrid smoke wafts up.