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WHEN THE TIMES DARKEN

David Selzer By David Selzer2 Comments1 min read621 views

After the Anschluss and Sudetenland,

before the invasion of Poland,

Bertholt Brecht, in exile from the Third Reich

in a thatched cottage on a Danish island,

posed a question in a short poem –

‘When the dark times arrive will there still be songs?’

As poets tend to do Brecht answered himself.

‘Yes, there will even then be singing – about

the dark times that have come’.

 

After the arms manufacturer’s profits

have returned to normal, and democratic

politicians’ have devised new distractions

for their electorates, and cheerleaders

who would send other people’s sons and daughters

to war have found new enthusiasms,

and the defeated have been punished,

the pacifists admonished, the victors

exonerated, and much of Africa

and the so-called Middle East has been unpeopled

by famine, and the world continues

to be consumed by fire, drought and flood,

will there still be singing?

 

 

Note: For a translation rather than an imitation of Brecht’s ‘In den finsteren Zeiten…’ see Edwin Morgan’s: https://www.scottishpoetrylibrary.org.uk/poem/when-times-darken/.

 

A GOOSE IN THE BAMBOO

Catching a charter flight from Manchester,

the family eases through security

but I am detained – there are traces

of explosive in my backpack: poems

on the hard drive? The scanner is at fault.

 

At Nikos Kazantzakis Heraklion –

the only airport named for a writer –

one of our cases arrives broken

on the single baggage carousel

and one of the gent’s toilets has backed up

but ‘Zorba’s Dance’ is playing somewhere,

the sea beyond the runways could be almost

‘wine-dark’ and the oven heat warms old bones.

 

Our hotel room overlooks a valley

charmed by Cretan sun in early June, washed

in El Greco shades and citrus colours,

with the usual eclectic small holdings

among the scrub – olives, vines, tomatoes

and bananas; hens and cock scratching;

three nanny goats clanking; two black dogs caged;

a stand of bamboo. On our balcony

with our granddaughter we play ‘I spy’

– but we cannot see the goose that honks

periodically in the bamboo

and sets the watch dogs barking.

 

There are activities throughout the day

round the pool for children of all ages.

It is water polo time and chaps

from England, Poland, Germany play

boisterously but amicably.

The French study their screens, a quartet

of middle aged Israeli men is aloof,

two British Asian families remain

circumspect. We came last time in early May –

the Great Patriotic Holiday

enjoyed by affluent ethnic Russians.

Our granddaughter swims endlessly like a shrimp

in the cosmopolitan waters.

 

At Heraklion the security

is seasonal, part-timers attired

in G4S finery complete

with white lanyards so there is role play –

queues are long and scrutiny relaxed.

At Manchester, in the EU passport queue

we shuffle along, without music,

with passengers from Islamabad

to the ID scanner – and chuckle,

thinking of all the closet racists

who would swallow their tongues in such a queue.

At the scanner, a witty, local lass

in a hijab helps us. O brave new world

that has such! ARRIVALS is threatening

with armed police, loud with distant honking.

A car has been parked in the wrong place.

We have flown from attic comedy to low

farce, goosed in the process.

 

 

 

 

 

 

 

 

 

 

ENCOUNTERS WITH HISTORY

In the Hall of Mirrors, many decades

ago, an elderly German couple

asked me to take their photo. I thought of

quoting Heinrich Heine, “’Aus meinem Grossen

Schwerzen, Mach ich die Kleinen Lieder’” –

‘Out of my great sorrows Make I little songs’ –

but weltanschauung trumped chutzpah. I took it.

 

Though the Sun King himself built out of town,

the myth of the metropolis persists.

The city dreams. The world journeys elsewhere

in places too remote for my atlas –

like Belzec, Poland. The year I was born

daily five thousand gassed.