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Sahara

BETWEEN THE MONKEY AND THE SNAKE

We flew to Marrakech one January –

from dark, frosty, early morning Gatwick

to a view of the sun on the snow-topped

Atlas Mountains. Barely six hours from home,

we were in the Souk – ‘La shukran! Non merci!’ –

avoiding the blandishments, noting

the bartering and the credit cards. Relieved,

we emerged into the Jemaa el Fna,

the Marrakech Medina’s vast square,

with water-sellers, jugglers, magicians,

henna tattooists with their sample books,

peddlers of herbal medicines, dancing boys,

acrobats, story-tellers, traders of

mint, dates, olives, kumquats, lemons, cumin,

the ancient start and end of caravans

south and east across the Sahara.

 

Suddenly, in all that charivari,

you heard a charmer’s flute. ‘Cobras!’ you cried

and rushed unwarily away, me

hurrying after. You stopped – the flute now

out of earshot – only for a macaque

monkey, dressed in a powder blue suit

and a fez, to tap you on the shoulder.

 

The monkey was chained and the snake, no doubt,

de-fanged but I could not relieve your fear.

Love has its short term limitations.

You were lost and found and lost again

between the monkey and the snake.

Then the plangent notes of the mid-day call

to prayer sang from the city’s seven mosques

and you were found again in sudden beauty.

 

 

 

 

Note: The poem has subsequently been published at

http://thirdsundaybc.com/2012/03/18/vol-1-no-2/

 

 

PERSPECTIVES

From the long window on the half landing, I saw,

almost as soon  as you had filled the small bird feeders

under the pine and come inside, the big beasts land

to eat the scattered seeds – three wood pigeons, two turtle doves

and a solitary magpie –  then a cat appear, the birds scramble

and you again, shooing.

From where the hawk stoops, I heard the magpie’s

irrelevant chatterings, saw a tableau of live flesh;

saw our Victorian suburb from where the airplane flies –

heard nothing above the thrumming of the engines;

from beyond the stratosphere, saw somewhere

still not yet silenced by the enveloping yellow

of the Sahara or the Arctic’s melting blue.

From the long window, I heard the next track begin –

late Billie Holiday, ‘Dancing Cheek to Cheek’ –

heard her miss the key change yet again, promised myself

never to play it yet again.