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Second World War

SILENT POOL, MARCH 2013

The pool is off the Dorking-Guildford road,

at the foot of the North Downs; is fed

from a spring, which seeps through chalk and flint;

is so-called for allegedly no birds sing

in this glade of ash, oak and yew;

a place of legend, of Druidic worship,

rumoured deep enough to drown secrets.

A sharp March wind rattles twigs and branches.

 

By the side of a flint pathway – that leads

to the top of the Downs with its Pilgrims’ Way,

an old drovers’ road – is a second world war

‘pillbox’, its unadorned and concrete

symmetry stark, a forgotten reminder

of fears of invasion from Bonaparte

to Hitler – not without reason in this land,

like many, pillaged over and over.

 

Edward Thomas, after his breakdown,

cycled westward, a century ago,

from Clapham to the Quantocks in pursuit

of spring in turbulent weather like this.

That laureate of the moment – the hoot

of an owl, grass stilled in the heat – briefly stopped here

the year before he wrote his first poem,

two years before he enlisted, three

before a shell blast killed him at Arras.

 

 

HEAR THE DRUMS

This full length stage play focuses on Jamila, a sixteen year old girl of mixed Afghani and English parentage: on her struggle to determine her cultural identity, her longing for her father whom she has been brought up to believe is dead but whom she discovers, by chance, is alive and a prisoner of the Americans in Afghanistan – and her confronting the lies and misunderstandings that have had such tragic consequences for her family.

You can download the main text as a pdf:

HEAR THE DRUMS MAIN TEXT

A list of characters, information about where and when the action is set and acknowledgements are also available as a pdf:

HEAR THE DRUMS – CHARACTERS, LOCATION, ACKNOWLEDGEMENTS ETC.

 

 

Note: the play was a prize winner in the Sussex Playwrights’ Club 2009 Full Length Play Competition.