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THE PRICE OF FISH AND THE VALUE OF NOTHING

When I was a boy I was often taken

to the aquarium on the promenade

by the Palace Pier, Brighton – a resort

and commuter town on England’s south east coast.

It was an hour’s train journey from London

on the Pullman Brighton Belle – with its curtains

and its table lamps – restored to pre-war pomp.

My favourite tank was devoted to sea fish

found in the English Channel – teeming still

from wartime’s cessation of fishing.

There were skate and flounder, dogfish and sole,

mullet and turbot, stingray and dab.

The Channel’s bluey grey waters pushed and pulled

the pebbly beach a bucket and spade away.

 

***

 

Our coastal waters have become the scoundrels’

last refuge, and the continent of Europe

has been cut off from us by a fog,

a miasma of xenophobia

and racism, hatred and envy,

lying and denial masquerading

as patriotism, truth and fact.

Being here at this moment is like

living among a hidden enemy,

aliens disguised as human beings,

a fifth column of racists and xenophobes,

latter-day Platonists obsessed with

abstractions and capital letters.

 

***

 

Piers – their width and length, their cast iron

stanchions and curlicues, the size and range

of their entertainment pavilions, the chance

of swaggering above the briny – were

a hallmark of the best resorts. Brighton

had two – Palace and West, the latter

my favourite as a boy with its small funfair,

green painted wrought iron slot machines,

and glass screens to keep the weather off.

Bankruptcy, neglect, storms, and arson,

over the last fifty years, have left four columns

and the skeletal remains of the tea room.

No one in authority appears

responsible for these vestiges –

which are like some permanent wreckage

of war, a parable of our civic life.

 

 

 

FOUR SCREEN PLAYS

I wrote the screenplays between 2001 and 2008. They are presented below in the order in which they were written. Each is set against the background of armed conflict.

I was inspired to learn how to write screenplays as a result of a number of conversations in New York in August 2001 with Annabel Honor-Lissi, a fellow creative, and digital tutorials with her which followed.

 

THE MEMORIAL

The Memorial is about redemption through kindness, compassion and love.  Set in the immediate aftermath of the 1st World War, it is a love story that explores class, religion and anti-war issues through the eyes of Captain Edward Standish VC.  Much of the action takes place at Standish’s country seat, in a Midlands village dominated by a colliery, as well as in London where the Captain meets and commissions artist Clara Zeligman.  The Memorial also takes us to the battlefields on the French/Belgian border where Standish had faced the toughest moment of his military career – an event that haunts him throughout the story.

Download The Memorial by David Selzer (Copyright David Selzer)

 

 

LOYALTIES

Loyalties begins in 1936, when Kathy, sixteen, beautiful, a film fan and fascinated by Elizabeth, last Empress of Austria, about whom she secretly writes romantic fiction, leaves Llandudno to train as a nurse in London. In 1940, she goes to the Isle of Man to nurse refugees from Nazi Germany interned as enemy aliens and falls in love with Peter, an Irish barman, whom, she discovers, is an IRA Bomber whose real name is Pearse. He renounces violence, though not the cause, for her – until she is the victim of an attempted rape. Pearse murders the likely suspect (who is an undercover Special Branch officer). In despair, she rejects Pearse. She returns home pregnant – and tells her mother that she was married in the Isle of Man but that her husband has been killed in action. In 1946, Pearse – now prosperous and married but still active in the struggle – finds her (and their daughter). She rejects him again.

Download Loyalties by David Selzer (Copyright David Selzer)

 

ALTOGETHER ELSEWHERE

Altogether Elsewhere is a tragi-comedy of errors, driven by character, coincidence and circumstance. Both of the main protagonists were born on the same day in 1953 in Liverpool and Daytona respectively. One becomes an acclaimed documentary and fashion photographer, the other a Vietnam Veteran selling oranges by the roadside in Portugal. The story – set against a background of the decline and fall of empires – focuses on key episodes in their lives from 1961 to 2002.

Download Altogether Elsewhere by David Selzer (Copyright David Selzer)

 

IN THE LION’S MOUTH

In The Lion’s Mouth is set in 1865, in a Venice under Austrian occupation, and against the background of the Risorgimento, the revolutionary movement to unify Italy. The story describes a love affair which, bedevilled by jealousy, possessiveness, intrigue and racial and religious prejudice, comes to a tragic and violent end. Though set in the past, the story portrays contemporary issues – particularly those of mixed race and of terrorism. The two main protagonists are a Liverpool sugar heiress of mixed Afro-Caribbean and European origin, who is in her early thirties, and a Austrian Jewish doctor in his forties, a widower, who is attached to the Austrian occupation forces but an active though covert supporter of the Risorgimento.

Download In The Lion's Mouth by David Selzer (Copyright David Selzer)

 

 

 

 

 

 

 

CONFUSED ALARMS

One of my favourites poems is Dover Beach.

I read it first at school when I was fifteen.

It seemed a fine thing to have written –

evocative, erudite, sonorous,

personal. Matthew Arnold, the advocate

of ‘sweetness and light’, honeymooned abroad

the year of the Great Exhibition.

Returning to England they stayed the night

at the Lord Warden Hotel – before taking

the train to London – no doubt to recover

from the paddle steamer that ferried them

across the English Channel, a craft,

though independent of the wind, tossed

by the waves, whose swaddled passengers travelled

au dehors. The poem begins ‘The sea

is calm tonight.’ From his window he can see

across to the French coast where a light gleamed

briefly. He calls his wife to his side,

and they listen to ‘the grating roar’ of the tide,

the unceasing waves shifting the pebbles.

 

For Arnold Great Britain was not the land

of ingenuities the Crystal Palace

hymned but of Blake’s dark factories. ‘…the world

Hath really neither joy, nor love, nor light,

Nor certitude, nor peace, nor help for pain…’

What would he have thought of us who measure

this country’s wealth in Costa coffee spoons,

eschew the Europe whose cultural heritage

is ours, make dishonour a virtue,

and still send tens of thousands of children

hungry to shared beds in inadequate rooms!

‘And we are here as on a darkling plain

Swept with confused alarms of struggle and flight,

Where ignorant armies clash by night.’

 

 

 

AT ROSCOLYN

Caernavon Bay is below, and to the west

the Irish Sea. The restive winds and waves

are lulled now to a breath, to a swell.

In the distance the London-Holyhead train

crosses the causeway. A multi-decked ferry

from Dublin is entering the harbour.

 

After the Druids hid, and the Romans left,

there came a multitude of saints, mostly

martyrs, not infrequently princesses,

renowned in death for healing the heart’s anguish.

St Gwenfaen – ‘Blessed White Rock’ – was one such.

Roscolyn’s plain parish church dominates

the high ground where her cloistered cell had been.

 

Someone has put a bench outside the churchyard,

perhaps for those returning from the saint’s well

on the headland, their torment gone, abated.

The dry stone walls and sheep-grazed fields stretch

in a soundless haze this kind summer evening.

 

 

 

A SORT OF EDEN

David Selzer By David Selzer7 Comments1 min read1.6K views

“Did you not hear me ask Sir Thomas about the slave trade last night?…There was such a dead silence.”

MANSFIELD PARK,  Jane Austen

 

It is fitting in certain English novels

that there should be significant absences

in Bath or London, journeys of consequence

to the colonies, and banishments

to darkest Dorset or a coastal town.

It is appropriate too that there should be

rain of whatever kind falling frequently,

forcing protagonists and antagonists

to be housebound, introspective, suffer

ennui, or propinquity’s temptations,

abroad be obliged to seek shelter

with doubtful neighbours, or an unsuspecting

friend who will, in due course, become the bride or groom.

 

When Sir Thomas returned from Antigua –

having spent a whole year in person

ensuring his sugar plantations were in profit –

he ‘was grown thinner and had the burnt,

fagged, worn look of fatigue and a hot climate’.

When Fanny Price returned to Mansfield Park,

from her self-exile with her parents

in squally Portsmouth, it was spring in landlocked

Northamptonshire green with English rains.

 

Mansfield Park became, in due course – when all

had received their (more or less) just deserts –

for her a sort of Eden. Whether Sir Thomas

ever thought he heard, out in the parkland,

foul oaths, whips cracked, and thought he saw black backs

bowed we will never know.

 

 

 

PHILLIS WHEATLEY: 1753-1784

David Selzer By David Selzer2 Comments2 min read1.8K views

Enslaved in the Gambia or Senegal,

scholars surmise, she survived the nauseous

and violent bottom line of the

Triangular Trade to be bought aged eight

as a maid for his wife by John Wheatley,

merchant and tailor of British-ruled Boston,

a known progressive in education.

 

She was christened ‘Phillis’ after the slave ship

that took her childhood. She was prodigious,

and was removed from domestic duties.

Tutored by his daughter, at twelve she knew

Latin, Greek, the Bible and, later,

became a true genius of Augustan

couplets – their wit, their beat, their certainty.

With her master’s son, she went to London,

where her poems were published to some acclaim.

Her encomium to George Washington

was re-published by Thomas Paine. ‘Proceed…

A crown,  a mansion, and a throne that shine,

With gold unfading, WASHINGTON! be thine.’

 

Ah, how we tolerate unflinchingly,

unthinkingly absurd and absolute

contradictions – freedom and servitude,

enlightenment and doctrinal dogma!

‘Twas mercy brought me from my Pagan land,

Taught my benighted soul to understand

That there’s a God, that there’s a Saviour too:

Once I redemption neither sought nor knew.

Some view our sable race with scornful eye,

“Their colour is a diabolic die.”

Remember, Christians, Negros, black as Cain,

May be refin’d, and join th’ angelic train.’

 

On Wheatley’s death she was freed – all that his will

left her: liberty without means. She married

a free black grocer. They lived in poverty.

Two infant children died. And yet she wrote –

but without white, male or titled patrons

was unpublished. Her husband was jailed for debt.

She supported herself and her sickly son

as a scullery maid. One December day

they died in squalor, were laid in unmarked graves.

 

What did she choose to remember of the seas

pounding against the timbers, and the cries,

and the chains days after days after days?

Or the drums into the night; or the smoke

from the cooking fires at dawn; the bright clothes;

the songs; her mother’s voice?

 

 

Note: The poem was first published on the site in July 2015.  It is published here with minor amendments.