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POETRY

A SORT OF EDEN

David Selzer By David Selzer7 Comments1 min read1.9K views

“Did you not hear me ask Sir Thomas about the slave trade last night?…There was such a dead silence.”

MANSFIELD PARK,  Jane Austen

 

It is fitting in certain English novels

that there should be significant absences

in Bath or London, journeys of consequence

to the colonies, and banishments

to darkest Dorset or a coastal town.

It is appropriate too that there should be

rain of whatever kind falling frequently,

forcing protagonists and antagonists

to be housebound, introspective, suffer

ennui, or propinquity’s temptations,

abroad be obliged to seek shelter

with doubtful neighbours, or an unsuspecting

friend who will, in due course, become the bride or groom.

 

When Sir Thomas returned from Antigua –

having spent a whole year in person

ensuring his sugar plantations were in profit –

he ‘was grown thinner and had the burnt,

fagged, worn look of fatigue and a hot climate’.

When Fanny Price returned to Mansfield Park,

from her self-exile with her parents

in squally Portsmouth, it was spring in landlocked

Northamptonshire green with English rains.

 

Mansfield Park became, in due course – when all

had received their (more or less) just deserts –

for her a sort of Eden. Whether Sir Thomas

ever thought he heard, out in the parkland,

foul oaths, whips cracked, and thought he saw black backs

bowed we will never know.

 

 

 

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David Selzer By David Selzer
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POETRY

PHILLIS WHEATLEY: 1753-1784

David Selzer By David Selzer2 Comments2 min read2K views

Enslaved in the Gambia or Senegal,

scholars surmise, she survived the nauseous

and violent bottom line of the

Triangular Trade to be bought aged eight

as a maid for his wife by John Wheatley,

merchant and tailor of British-ruled Boston,

a known progressive in education.

 

She was christened ‘Phillis’ after the slave ship

that took her childhood. She was prodigious,

and was removed from domestic duties.

Tutored by his daughter, at twelve she knew

Latin, Greek, the Bible and, later,

became a true genius of Augustan

couplets – their wit, their beat, their certainty.

With her master’s son, she went to London,

where her poems were published to some acclaim.

Her encomium to George Washington

was re-published by Thomas Paine. ‘Proceed…

A crown,  a mansion, and a throne that shine,

With gold unfading, WASHINGTON! be thine.’

 

Ah, how we tolerate unflinchingly,

unthinkingly absurd and absolute

contradictions – freedom and servitude,

enlightenment and doctrinal dogma!

‘Twas mercy brought me from my Pagan land,

Taught my benighted soul to understand

That there’s a God, that there’s a Saviour too:

Once I redemption neither sought nor knew.

Some view our sable race with scornful eye,

“Their colour is a diabolic die.”

Remember, Christians, Negros, black as Cain,

May be refin’d, and join th’ angelic train.’

 

On Wheatley’s death she was freed – all that his will

left her: liberty without means. She married

a free black grocer. They lived in poverty.

Two infant children died. And yet she wrote –

but without white, male or titled patrons

was unpublished. Her husband was jailed for debt.

She supported herself and her sickly son

as a scullery maid. One December day

they died in squalor, were laid in unmarked graves.

 

What did she choose to remember of the seas

pounding against the timbers, and the cries,

and the chains days after days after days?

Or the drums into the night; or the smoke

from the cooking fires at dawn; the bright clothes;

the songs; her mother’s voice?

 

 

Note: The poem was first published on the site in July 2015.  It is published here with minor amendments.

 

 

 

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David Selzer By David Selzer
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POETRY

ORGANISED CRIMES

David Selzer By David Selzer1 Comment1 min read1.6K views

I watched the TV parade of affluent

(and mostly public school) chancers, liars,

fantasists, hypocrites, law-breakers

vie to top each other’s warmed-up clichés

and self-serving platitudes. The social

and economic future dystopia most

seemed to desire would, they assured us,

bring out the British best in all of us,

just like the Blitz. I thought of bomb-razed

building lots in major cities still empty –

and a tale a cabby told me years ago,

taxiing me from the railway station.

 

As he dropped me off he looked at the house.

He asked if it had a cellar, with a door

opening onto the back garden. I nodded.

He and his mum, he said, had joined a silent

and lengthy queue to buy black market sugar.

‘A doctor lived here then, ran a racket

with the lad that worked at the grocer’s.

The lad did time. The medic got off scot-free.’

 

I did some research, worked out the dates.

Here, in this place of light we have made our home,

all those ordinary folk committed crimes

like common recidivists – while London

was bombed, and Coventry, and Liverpool,

and the BBC broadcast Churchill’s speeches

of carefully crafted rhetoric.

 

 

 

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David Selzer By David Selzer
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POETRY

THE FIVE GIANTS

David Selzer By David Selzer5 Comments2 min read2.3K views

Walking down Renshaw Street from ‘Rumpelstiltskin’

at the Unity then along Bold Street,

with its strolling crowds and varied eateries,

to Central Station, thinking of spinning gold

from straw, we pass beggars in doorways.

‘What are they doing?’ our granddaughter asks.

We explain. ‘Why don’t they get jobs?’ We explain.

 

My mother would tell me how, when she moved

to London before the war to be a nurse,

she was appalled by the rough sleepers

on the benches along the Thames Embankment.

In the depressed provinces presumably

there were enough workhouses to hide them.

There being no workhouses under Thatcher

and too few shelters they were everywhere

from twilight onwards, androgynous bundles

in the world’s fifth largest economy.

Now they have returned exactly like

their forebears in the largest empire since Rome’s.

They are dragon’s teeth. Where is our shame, our fear?

 

The gusts of wind, that fling the scattered rain

against the panes and flail the apple tree –

which jerks as if a frantic, shaken doll –

are lowing in the chimney like an owl.

I draw the blinds as the twilight goes,

switch on the laptop and begin to write,

thinking of those who are without – homeless,

hungry, thirsty – no more than a mile

let alone a continent away.

 

Want, Disease, Ignorance, Squalor, Idleness –

Beveridge’s gargantua – are alive,

well, and stalking in our city centres,

in run down estates with abandoned gardens,

in bed-and-breakfasts in cul-de-sac towns

with shut-up shops and rusting factories.

Spin as we may, stamp as we might, marvels

and wonders outsmart facts. ‘The needy

and the poor have only themselves to blame,’

say the sassy and the rich. Our consciences

have fallen among thieves.

 

 

 

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David Selzer By David Selzer
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POETRY

THE VICISSITUDES OF HISTORY

David Selzer By David Selzer0 Comments2 min read1.5K views

i.m. Clara Isenberg

Her maiden surname was Isenberg, ‘iron

mountain’, one that had been chosen for them

from the Imperial list. I was often

uneasy, unsure in her presence.

She hardly ever smiled. I realise now

because I looked so like her son, my father.

She died, from kidney failure, when I was nine.

 

On the mantelpiece in our dining room

is a pair of figurines – faux Meissen –

brought in her parents’ wooden suitcase, wrapped

in linen, journeying from Leopoldstat,

Vienna, to Whitechapel, London.

 

She had a hat shop in Hendon. Sometimes,

when my mother helped out, I was allowed

to look into the deep drawers where the hats,

like exotic plants, lay on tissue paper –

but when the shop was full of customers

I stayed in the workroom. There were lengths of felt,

rolls of ribbon, a barred sash window

and a double burner that smelled of gas.

The two shop girls would make a fuss of me.

 

Each figurine has a young man and woman

dressed and posed as if just emerging

from Marie Antoinette’s rustic retreat

at Versailles, and mirrored in the matching

figurine. Before my time the head

of one of the swains has been glued back on

and the maids have lost a hand apiece

but their expressions of bucolic delight

have remain undiminished whatever

the vicissitudes of history.

 

While Grandpa did his ARP duty

back east at the Fire Station in Cable Street,

Nanny went to the spiritualist church

in Hendon. The Medium passed messages:

her soldier son was in pain no more;

she would see and hold him once again

forever in the light beyond. The matter

was off limits in the one bedroom flat.

 

She made cream cheese in a muslin bag

she hung from the cold tap in the kitchen

to make it set. The whey would drip through the night,

minute by minute, hour after hour.

When she made apple strudel the flat

was aromatic with cinnamon.

 

 

 

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POETRY

A VIEW FROM THE CASTLE

David Selzer By David Selzer0 Comments1 min read1.5K views

It is not the winter-grey Danube flowing –

hundreds of feet below – fast to Budapest,

nor the suspension bridge – with its high rise

circular restaurant – commemorating

the failed uprising against the Nazis,

nor the outline of the Vienna Alps

fifty miles away, nor the wind turbines

covering the plain between, but the concrete

Soviet era apartment blocks

now painted white and some in pastel shades

that first catch the eye from this stronghold

on a rocky hill far above the town

on the second day of 2018.

This must be Europe’s centre: liberated,

Catholic, polyglot; in Magyar,

German, Slovak; Pozsonyi Vár,

Pressburger Schloss, Bratislavsky Hrad.

 

As we descend the narrow, cobbled street

that turns with the hill’s contours, gusts of wind

whirl into the air small strips of gold paper,

detritus of New Year’s Eve celebrations,

and a party of Australian tourists

comes round the corner their resolute guide’s

tartan umbrella flapping unsafely.

 

*

 

The runway faces east so the plane

must bank westwards to fly by Vienna,

Prague, London to land at Manchester.

On the right are the Little Carpathians

with vineyards on the slopes and at their heart

wildernesses of beasts and plants still intact –

left, below, river, castle, tower blocks

reduced to perfection.

 

 

 

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