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Hitler

SILENT POOL, MARCH 2013

The pool is off the Dorking-Guildford road,

at the foot of the North Downs; is fed

from a spring, which seeps through chalk and flint;

is so-called for allegedly no birds sing

in this glade of ash, oak and yew;

a place of legend, of Druidic worship,

rumoured deep enough to drown secrets.

A sharp March wind rattles twigs and branches.

 

By the side of a flint pathway – that leads

to the top of the Downs with its Pilgrims’ Way,

an old drovers’ road – is a second world war

‘pillbox’, its unadorned and concrete

symmetry stark, a forgotten reminder

of fears of invasion from Bonaparte

to Hitler – not without reason in this land,

like many, pillaged over and over.

 

Edward Thomas, after his breakdown,

cycled westward, a century ago,

from Clapham to the Quantocks in pursuit

of spring in turbulent weather like this.

That laureate of the moment – the hoot

of an owl, grass stilled in the heat – briefly stopped here

the year before he wrote his first poem,

two years before he enlisted, three

before a shell blast killed him at Arras.

 

 

MUSIC OF THE SPHERES

Curtains drawn against late October twilight,

working on verses about burgeoning flocks

of raucous, emerald Ring-necked Parakeets

in the Surrey Hills, I hear the murmur

of girls. It is Halloween. The bell rings.

There is a bevy of neighbours’ daughters –

one with a painted face, all on the cusp

of womanhood – lovely, ingenuous.

 

From habit, I watch them safely down the street

and then, before I shut the door, look up

at the night sky, craning my neck with wonder.

Cloud obscures all but Jupiter, Mars, Venus.

It would be tempting to believe not merely

in physical forces and chemical

reactions but design and purpose

through the kaleidoscope of the universe –

and in the countless stars’ unheard music.

 

After supper, I begin another piece:

about the Ghetto in Golden Prague –

with its learning, its music and its art –

which Hitler decreed should be preserved as

a raree show for ‘Judenrein Europa’.

Daily, new stones are placed on the tomb

of Rabbi Judah Levai ben Bezalel,

Talmudic scholar and Kabbalistic mystic,

legendary creator, from Vltava mud,

of The Golem to scourge the anti-semites,

and battler with Azrael, the angel of death,

to protect his only granddaughter.

 

***

 

In the opposite corner of the room

in which I write is an Edwardian

upright piano, an inanimate

companion since my early childhood.

Our granddaughter asks to be lifted

onto the too high stool and tries the notes,

now loud, now soft,  with the flats of her hands,

hearing with wonder the unending sounds.

 

 

 

ONLY ONE IN STEP

David Selzer By David Selzer0 Comments1 min read1.5K views

i

 

Plato’s Allegory of the Cave is

somehow very ‘Thirties: lots of chaps in

the dark behind high walls; much shadow-play

with unidentifiable voices;

belated, blinding suddenness of light.

The decade’s putative worthies (who all,

by the way, seem to have been chaps) go forth

unknowingly in parallel: e.g.

Hitler in Berchtesgarten, Wittgenstein

(Adolf’s erstwhile peer from Linz) in Cambridge.

Did Wittgenstein walk with Blunt, Philby,

Burgess and Maclean as the fifth man?

Meanwhile, elsewhere, at Trinity College

A.E. Housman tutored Enoch Powell: two

classicist lads from the West Midlands – and

the land of lost and wistful laddishness.

 

 

ii

 

Our Enoch – the wife’s second cousin twice

removed – although he always acted the

philosopher-king, indeed believed it,

in Parliament, in uniform, in the

groves of academe – appeared to labour,

tormented, in the dark, poor soul. Always

a solitary, he was chained to the

metaphysics of empire, protocol

and tribe: from the ‘Rivers of blood’ to ‘No

Surrender!’, preferring voluntary

exile to certain public failure. Yet,

see how, the fluent theme has become a

continuo – ‘influx’, ‘deluge’, ‘flood’, how

his acolytes have grown, like dragon’s teeth,

loquacious prisoners in Powell’s teeming,

booming cave of phantasmagoria.[1]



[1] The poem has previously been published on this site and is one of the most visited.

 

 

 

ONLY ONE IN STEP

 

 

 

 

Plato's Allegory of the Cave

 

 

 

 

 

i

Plato’s Allegory of the Cave is

somehow very ‘Thirties: lots of chaps in

the dark behind high walls; much shadow-play

with unidentifiable voices;

belated, blinding suddenness of light.

The decade’s putative worthies (who all,

by the way, seem to have been chaps) go forth

unknowingly in parallel: e.g.

Hitler in Berchtesgarten, Wittgenstein

(Adolf’s erstwhile peer from Linz) in Cambridge.

Did Wittgenstein walk with Blunt, Philby,

Burgess and Maclean as the fifth man?

Meanwhile, elsewhere at Trinity College

A.E. Housman tutored Enoch Powell: two

classicist lads from the West Midlands – and

the land of lost and wistful laddishness.

 

Our Enoch giving chase

ii

Our Enoch  – the wife’s second cousin twice

removed – although he always acted the

philosopher-king, indeed believed it,

in Parliament, in uniform, in the

groves of academe – appeared to labour,

tormented, in the dark, poor soul. Always

a solitary, he was chained to the

metaphysics of empire, protocol

and tribe: from the ‘Rivers of blood’ to ‘No

Surrender!’, preferring voluntary

exile to certain public failure. Yet,

see how, the fluent theme has become a

continuo – ‘influx’, ‘deluge’, ‘flood’, how

his acolytes have grown, like dragon’s teeth,

loquacious prisoners in Powell’s teeming,

booming cave of phantasmagoria.

 

 

ONLY ONE IN STEP

David Selzer By David Selzer2 Comments1 min read2.8K views
Plato's Allegory of the Cave
Plato's Allegory of the Cave


Plato’s Allegory of the Cave is

somehow very ‘Thirties: lots of chaps in

the dark behind high walls; much shadow-play

with unidentifiable voices;

belated, blinding suddenness of light.

The decade’s putative worthies (who all,

by the way, seem to have been chaps) go forth

unknowingly in parallel: e.g.

Hitler in Berchtesgarten, Wittgenstein

(Adolf’s erstwhile peer from Linz) in Cambridge.

Did Wittgenstein walk with Blunt, Philby,

Burgess and Maclean as the fifth man?

Meanwhile, elsewhere at Trinity College,

A.E. Housman tutored Enoch Powell: two

classicist lads from the West Midlands – and

the land of lost and wistful laddishness.

Our Enoch giving chase
Our Enoch giving chase


Our Enoch  – the wife’s second cousin twice

removed – although he always acted the

philosopher-king, indeed believed it,

in Parliament, in uniform, in the

groves of academe – appeared to labour,

tormented, in the dark, poor soul. Always

a solitary, he was chained to the

metaphysics of empire, protocol

and tribe: from the ‘Rivers of blood’ to ‘No

Surrender!’, preferring voluntary

exile to certain public failure. Yet,

see how, the fluent theme has become a

continuo – ‘influx’, ‘deluge’, ‘flood’, how

his acolytes have grown, like dragon’s teeth,

loquacious prisoners in Powell’s teeming,

booming cave of phantasmagoria.


18th century phantasmagoria