David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • THE HAZARD OF FAILURE

    ‘I know that I shall meet my fate

    Somewhere among the clouds above…’

    AN IRISH AIRMAN FORESEES HIS DEATH, W.B. Yeats

     

    For David Press

     

    One of the pitman painters from Ashington,

    Jimmy Floyd, explained that he had depicted

    the shed in a painting green like the grass

    because he had run out of yellow

    the intended colour. Better the wrong shade

    than an allotment without a shed.

     

    ***

     

    According to Gertrude Stein, that mistress

    of ironies, the real and only reason

    for Picasso’s Blue Period was

    he had a lot of blue paint left over –

    though the barefoot trio in the ‘Tragedy’

    on that chill shore would be wretched and hopeless

    in any colour from the spectrum: a man,

    a woman, a child, the little boy

    touching his father with one hand, the other

    stretched towards his mother, who stands head bowed,

    a little apart, watched helplessly by the man.

     

    ***

     

    The poet, Refaat Alareer,

    who was killed in an Israeli air strike,

    foresaw his death. His last poem begins:

    ‘If I must die’. He says that after his death

    ‘you must live/to tell my story/to sell

    my things/to buy a piece of cloth/and some strings’

    and make a white kite ‘with a long tail’

    so that a fatherless child in Gaza –

    ‘awaiting his dad who left in a blaze’ –

    might look up, and momentarily

    imagine ‘an angel is there’.

     

     


    2 responses to “THE HAZARD OF FAILURE”


    1. Hugh Powell Avatar
      Hugh Powell

      Too poignant, and very clever. May you forever be our window on the world – the ‘Panorama Poet’.

    2. David Press Avatar
      David Press

      Thank you for the dedication: I find the transitions from Ashington, to ‘that chill shore’ to Gaza very moving.

      Also disturbing: an orphan son looking up at an imagined angel holds sadness and hope, but the nightly news shows us something closer to Picasso’s tragic family.

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