David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • SOCRATIC DANCING

     Love made me journey as often as I could

    from Birkenhead to Birmingham by steam train

    in 1962 – from Woodside’s glazed roof

    to Snow Hill’s canopy of girders –

    stopping at Chester, Chirk, Gobowen,

    Oswestry, Shrewsbury, and, through the Marches,

    via Wolverhampton to the ‘Workshop of the World’:

    a landscape of fields, canals, small market towns

    becoming blackened terraces of cobbled streets.

     

    That year I had opted to study

    Ancient Greek Philosophy. The journey

    would be a couple of hours of silent reading.

    Aristotle’s treatise on ‘Coming To Be

    And Passing Away’ fitted the rackety-

    rack of the wheels, the odd spouts of steam,

    the curvetting of telephone wires,

    and the colours of weathers and seasons.

    But Plato’s Republic, with its heavy

    humour, ponderous dialogue and smart-arse

    front-man, Socrates, had me counting the sheep,

    and admiring the sepia views of Rhyl

    and Scarborough above the seats opposite.

     

    Perhaps Socrates was dyslexic. He left,

    as far as we know, nothing in writing.

    Untutored in the classical authors

    I had thought his historical fame

    dependent on the puppet master alone

    until, this year, I came across a piece –

    in Practical Mechanics, I think it was –

    about his young friend Xenophon: rebel

    mercenary, military strategist,

    kindly trainer of horses, writer.

    Each morning, for exercise, Xenophon

    describes how Socrates on his verandah

    would dance, a cappella, as it were.

    No doubt it was the old man’s tripping

    of the light fantastic that prompted

    Athens’s Watch Committee to accuse him

    of corrupting the youth of the city.

     

    Somewhere in Wolverhampton, on the end

    of a terrace overlooking a canal,

    was painted in white, with a sign writer’s

    precision, ‘ETERNITY! Where will you spend

    ETERNITY?’ As we passed I would smirk,

    as young poets in love are wont to do.

     

    Woodside station has gone, and, everywhere,

    the steam and the smoke and the soot, of course,

    but maybe the graffito, weathered,

    is still there, a ghost. Socrates chose

    to drink the hemlock rather than self-exile,

    as his friends and followers urged. More dangerous

    dead and chronicled, he must have guessed,

    than forgotten on some sparse islet,

    dribbling into his wine.

     

     


    4 responses to “SOCRATIC DANCING”


    1. John Huddart Avatar
      John Huddart

      Don’t stop! Never has a journey poem covered such distance and time, to such effect.

    2. Ashen Venema Avatar

      Wow, the treasured memory of a journey, reading the Greek Classics, while holding the ambiance and rhythms…’the rackety-rack of the wheels, the odd spouts of steam.
      And contemplating Socrates …’had me counting the sheep, and admiring the sepia views of Rhyl and Scarborough above the seats opposite…’

      I was a teen, and a worrying mystery to my parents, when I read about Greek philosophers past bedtime, with a torch under my blankets.

    3. Mary Clark Avatar
      Mary Clark

      The three heavyweights of philosophy, the 1960s, and love, on one train! Of thought. Passing scenes. This poem sent me to google to read more of Xenophon, remarkable man, and Socrates and Aristotle. Interesting that exploration of the world and mind by study as well as violence brought such intellectual advances, and then the ramifications which lasted centuries in Europe. So that you were reading them or about them circa 2000 years later. Jonathan Barnes wrote that ‘an account of Aristotle’s intellectual afterlife would be little less than a history of European thought’. He’s the one to blame then? But seriously, the graffiti persists, though fading.

      1. David Selzer Avatar

        I’ve always thought it was Plato’s fault!

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