David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • THE POET AND THE BATTLESHIP

    Emperor Augustus exiled the poet

    Ovid to Tomis, a Black Sea port

    and ancient metropolis, first city

    of the Scythian Frontier, a day’s ride

    from the Danube delta. Tomis –

    in ancient Greek ‘to cut’, ‘to sever’, so called,

    Ovid wrote, because Medea, Jason’s

    sorceress and lover, dismembered

    her brother there, threw the pieces in the sea –

    now is Constanta, Romania, renamed

    for the consort of Constantine,

    and where the mutinous crew of the Potemkin,

    after the failed revolution, surrendered

    the dreadnought to the Romanian navy.

     

    Rumour, however, has it the poet

    may have exiled himself from Rome

    to this the empire’s then furthest margin,

    learning of the Emperor’s prurient wrath

    at his Ars Amatoria – ‘Should

    anyone here not know the art of love,

    read this, and learn by reading how to love.

    By art the boat’s set gliding, with oar and sail,

    by art the chariot’s swift: love’s ruled by art.’

     

    He thought the journey – south through Messina’s straits,

    east across the Ionian Sea,

    north through the Aegean and the Bosphorus,

    tantalisingly past Byzantium  –

    seemed to take as long as that of Jason

    and the Argonauts. ‘The pine planks thunder,

    the rigging is whipped by the wind. The keel

    bellows, moaning with my troubles’.

    He tells us in his poems from exile –

    epistles in rhyming couplets, written

    on papyrus, shipped to Rome, to friends,

    enemies, and many times to his wife,-

    that he fears the barbarians across

    the Danube, and complains about the climate

    that frequently freezes both river and sea,

    and about the citizens of Tomis,

    who eschew the toga for Persian trousers,

    and mock his Latin. ‘…cano tristia

    tristis…sad things I sing in sadness.’

     

    In the late 19th century, almost,

    as it were, two thousand years too late,

    a square was named after him, a bronze statue

    commissioned. The sculptor has him pensive,

    observing his feet rather than the sea,

    not that – compared with Medea’s doings,

    and, in Mare Nostrum, the wanderings

    of Ulysses and Aeneas,  never mind

    the poet’s own modest, bitter travails –

    the brief antics of barbarian

    sailor boys in stripey jumpers on that

    most marginal of seas would have been

    of the slightest import.

     

     

     


    3 responses to “THE POET AND THE BATTLESHIP”


    1. John Huddart Avatar
      John Huddart

      What another scholarly feast, tantalisingly playing with our current concern with the geography of the Black Sea!

    2. Mary Clark Avatar

      I never thought much of where Ovid lived or why, so this is fascinating. So much of our Western history has transected that area of the Black Sea, an axis or fulcrum between east and west. Again it plays out. I think too of Catherine the Great who was German and became Empress of Russia and built Odessa and Kherson.

      1. David Selzer Avatar

        Most politicians and commentators in democracies appear to have chosen to operate in history-free zones – which enables autocrats to use history in whatever way they wish.

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