David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • DOUBLETHINK

    ‘Among ourselves it must be clear that there is no room in the country for two peoples… the only solution [after World War II ends] is a Land of Israel…without Arabs…’ Yosef Weitz, 1940.

    At first glance the photo only seems to show

    three men standing side by side on a slope

    somewhere in Palestine. They are dressed

    like professional men, Americans

    or Europeans. The one in the middle

    holds a map of some sort in his left hand,

    and points at something in the distance

    with his right. He is Yosef Weitz, Director,

    Land and Afforestation Department,

    Jewish National Fund. (An immigrant

    from Tzarist Russia, a refugee

    from pogroms, he worked on the land, something

    Jews were forbidden to do in The Pale.

    A dogmatic autodidact his vision

    was for Eretz Israel to be a country

    of forests – perhaps, unconsciously,

    like the forested hills of his birthplace).

    On closer inspection there are two others

    in the photograph: a woman almost

    totally obscured by Weitz, except

    for the hem of her long skirt and the top

    of her hijab, and a man – obscured

    almost totally by one of Weitz’s

    colleagues but for his keffiyeh.

    The Arab stands behind Weitz, and to his left.

    Weitz is leaning back as if it is to

    the Arab he is pointing out whatever

    he has seen. The Arab also holds the map.

    Maybe he is trying to be helpful or

    maybe the land is his.


    2 responses to “DOUBLETHINK”


    1. John Huddart Avatar
      John Huddart

      ‘Or maybe the land is his.’ Superb ending – apparently casual, but laden with irony. So many layers to peel, so many histories to unpack.

    2. Mary Clark Avatar
      Mary Clark

      Amazing what photographs reveal. They can’t be done without light which can do surprising things. Edgar Allen Poe noted the aspect of photography to expose the unforeseen. Two visions in this one, as you say. I agree with John, irony, layers, superb ending.

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