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David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE
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OLD EUROPE’S SLOW DEMISE
The day King George died they cancelled Children’s Hour,
and filled the evening with ‘solemn music’.
The day his son-in-law died Gardeners’ World
was cancelled, and the corporate ether filled
with hacks masquerading as historians,
historians as hacks, confidently
exuding contradictory gossip, viz.
his father-in-law ‘feared him’, ‘loathed him’,
‘really respected,’ ‘admired immensely’.
The Duke was one of the few men or women
remaining who might have thought of the Hapsburgs,
the Hohenzollerns and the Romanovs
as family, and knew intimately those
who had witnessed the eagles fall. He was born
a month after the partition of Ireland.
The nights of rioting – by the Queen’s
Loyalist subjects – preceding his death
might have been deemed, at one time, ominous.
His was to have been a state funeral –
the flag-draped coffin on a gun carriage pulled
from the Palace by eighty ratings,
along Pall Mall, across Horse Guards Parade,
into Whitehall down to the Abbey,
just the sound of the steel-rimmed wheels, the boots.
Covid 19, if not the great leveller
then certainly a major purveyor
of ironies, well and truly – to use
a fittingly naval phrase – scuppered all that.
Though none of the sycophants have mentioned it,
hopefully the Prince appreciated
irony, at, as it were, his own expense.
Having invented the Royal Family
as a media product he appears
to have been appalled by the disrespectful
exploitation of the embarrassed
celebrities he created – and, ersatz
Greek that he was, perhaps remembered
too late Prometheus’s fate. However,
whatever the final sum might be of his
long, privileged life, a very old woman
has lost her friend of more than eighty years.
3 responses to “OLD EUROPE’S SLOW DEMISE”
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I enjoyed the atmosphere this poem created, the picture of the intended funeral which didn’t quite happen: ‘… the flag-draped coffin on a gun carriage’ and the auditory details ‘… the sound of the steel-rimmed wheels, the boots. Also the irony: the need for great respect from the masses while at the same time trying to be just one of them.
The time I saw the Queen at her most relaxed (not that I’m a royal follower) was when she came to Chester with Meghan to open Storyhouse – there was a lot of chatting and giggling going on between them. I bet Betty misses her.
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Son, Harry, switching on Radio 1 observed that only instrumental records were played, thus suppressing the endless stream of romantic platitudes and yearning. We have not princes enough to ensure this might be permanent.
I succumbed to the national mood -and forgave him all his foibles, and his proto-unwokeness. Your poem, maginficently Private Eyeish, exposed the weaknesses again, and in a beautiful and decently English way, ended with a genuinely moving tribute to the couple, born to play a role they could not escape, with a sense of duty that was dying when she came to the throne.
Ironic that Scotland seems to drift away as Edinburgh dies.
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Interesting read for one from the States. I’ve just finished The Rose Code in which Philip plays a role as friend of one of the Bletchley Park female codebreakers. He’s portrayed as from an old world not gone but existing in remnants, with a need for family which Elizabeth offered ready-made. Loyal, a good soldier, able to have a good time, but part of the privileged world that for a few years was replaced by the social reorganization of the war and the BP crowd (where computers were used and AI may have dawned in Turing’s head). As you note in the last line, it all comes down to the personal, two people who spent their adult lives together.
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