David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • MYTHS AND PHOTOGRAPHS

    For Alex Cox

     

    Alice was awake long, long after midnight

    on the last day of that last summer

    the family spent at the house on the shore.

    She watched the moon rise above Penmaenmawr,

    and silver the Conwy estuary,

    all the way to the tumbled castle

    and the walled town. The light lit the warren

    in the sand dunes.  She imagined, lost somewhere

    in the marram grass, a pocket watch glinting.

     

    ***

     

    Henry Liddell was Dean of Christ Church, Oxford,

    when he and his family first met Charles Dodgson/

    Lewis Carroll in the cathedral church.

    Dodo was photographing the white

    perpendiculars of the Gothic nave.

    All of the Liddells, but particularly

    the children, immediately liked the tall,

    willowy, slightly chesty Mathematics don

    with his northern vowels and his stutter.

     

    The Liddells spent one summer in Llandudno

    at the newly opened St George’s Hotel,

    with its hydraulic lift and water closets –

    where, in time, Prince Otto Von Bismarck,

    and Elizabeth of Austria would stay.

    The Dean bought a large plot of land out of town

    on the West Shore at the foot of the Great Orme,

    not far from where copper had been mined

    since the Bronze Age. A miner’s path rose,

    at a gentle angle, up the steep slope

    to an adit, out of which a spring,

    from deep within the tunnels of the mine,

    flowed down through the broom to form boggy ground

    on the littoral, before seeping

    into the sea – Pen Morfa, the place, ‘marsh hill’.

    The Liddells took the name for their house.

     

    Unusually for the time even among

    the well-off all but one of the children

    survived beyond infancy, so the Dean

    designed the five storey holiday home

    to be capacious enough for his growing

    family of eleven with attendant

    servants. (The gabled house would have graced

    anywhere on the Woodstock Road, North Oxford).

    They spent each summer and Christmas there –

    until the Dean became Vice Chancellor,

    and Alice and her sisters did the Grand Tour.

     

    Alice was much photographed – as a child,

    of course, by Dodo, as an adolescent

    and a young woman, with her sisters,

    by Julia Cameron, and later

    as Mrs Alice Hargreaves, society

    hostess and president of the Women’s

    Institute. Her husband was a cricketer,

    a magistrate, independently wealthy.

    She spent all her married life and widowhood

    near the New Forest, hunting land acquired

    by William the Conqueror. She had three sons,

    two of whom were killed in the Great War.

     

    Henry Liddell first let then sold ‘Pen Morfa’.

    It became ‘Gogarth Abbey Hotel’ –

    “an hotel” the Liddells would have called it –

    though the nearest (ruined) abbey was

    at least a good fifty miles away.

    The connection with Alice in Wonderland

    was promoted so successfully locally

    and nationally that it became accepted

    Lewis Carroll had frequently stayed

    with the family, and, during one

    long vacation, had written the book

    in the guest bedroom. On the public green

    between the hotel and the pebbly beach

    – where dunes and warren had been cleared away –

    a marble statue of the White Rabbit

    next to the rabbit hole was unveiled

    by former prime minister, David Lloyd-George.

     

    ***

     

    In the Gogarth’s dining room was a painting

    of the Walrus and the Carpenter

    on a strand swept clean, all the oysters eaten.

    Sunrise would light the corridor connecting

    the hotel’s two wings. In its metallic light

    flock wallpaper and patterned carpet aged –

    as the wrecking ball hit the kitchens below.

    But recession left the demolition

    half done, like some illusion from Wonderland,

    like something half-glimpsed in a pier glass:

    myths and photographs, reputations

    and gossip, anticipation, love, loss –

    that great wheel, gone down the coppery

    galleries, rolling through the tunnels,

    bouncing and bumping like a child’s ball.

     

     

    Note: See Alex Cox’s THE GOGARTH ABBEY



    Leave a Reply

    Your email address will not be published. Required fields are marked *

Search by Tag