David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • BANK HOLIDAY

    The heavy shower drilled on the frosted glass.

    We sheltered under one of the high street’s

    open arcades with sloping glazed-roofs  –

    a Victorian refinement to the resort:

    shopping sheltered from seaside weathers.

    We were, by chance, in front of Poundland:

    one window displayed Pepsi Max, the other

    Cadbury’s Highlights, both cut-price sugar.

    The Bank Holiday crowd sheltering with us

    seemed disproportionately stricken, impaired,

    overwhelmingly loud or utterly

    silent, with austerity’s complexion.

     

    As the rain began to clear a man,

    middle-aged, passed using a zimmer frame.

    He was engaged in some angry, solitary

    dumb show. A woman arrived, high on something.

    She had left her whining pug dog tied

    to one of the arcade’s wrought iron pillars.

    I noted that ‘Punch and Judy’ was to start

    on the expansive Promenade, where,

    as for a hundred and fifty years and more,

    there would be much business with sausages

    and Toby the Dog, and Mr Punch

    would throw Judy’s baby out of the window.

    Only the privilege of good luck perceived

    such a continuing farrago of

    history and dismay.


    3 responses to “BANK HOLIDAY”


    1. John Huddart Avatar
      John Huddart

      Those final three lines are a masterpiece. And the subtle interplay of seaside theatre and human drama. Larkin lives. Proud to know this poem, and it’s writer of course.

    2. Ashen Venema Avatar

      I dislike public holidays, when exuberant masses hit the street, home is my idea of paradise.
      Splendid, the phrase you coined …
      ‘Only the privilege of good luck perceived
      such a continuing farrago of
      history and dismay.’

    3. Catherine Reynolds Avatar
      Catherine Reynolds

      A place of faded elegance and populated by the images the photographer Martin Parr would delight in. Technicolour in terminal decline. Whether portrait or landscape the people are at once in movement and stilled.

      Thank you for a slice of life, as ever carefully observed and crafted.

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