David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • THE BOX BROWNIE

    The photo of Stephen Baum and me aged 4

    falls out of the back of a book. Each of us

    is holding a part of a redundant

    Kodak Brownie and laughing in ecstasy.

    The battered camera is Stephen’s.

    The sun is shining, and we are on the lawn

    in front of the flats where we lived. It was spring

    or summer ’47. Our mothers

    would take us to the entrance of the yard

    of the dairy on Child’s Hill so we could watch

    the horses and hear the waters rushing

    through wooden slats, washing the bottles,

    and Golders Hill Park where the sticklebacks were,

    and the Heath with its ack-ack emplacements.

    The snap would have been taken by my mother

    or his. The Baums moved to a semi

    in Temple Fortune. My mother and me

    moved north. I bought the book much later:

    a second hand edition of Arthur Mee’s

    ‘London – Heart of the Empire and Wonder

    of the World’, thickened with age and damp,

    in which a child had written in pencil,

    on the last page, ‘THE END’.

     

     

     


    One response to “THE BOX BROWNIE”


    1. Catherine Reynolds Avatar

      There is a wonderful sense of ‘living history’ in this poem. Of lives left behind, as inevitably as childhood gives way to our adult and later years. Transition, both temporal and geographical, are stamped into the words you so beautifully compose.

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