David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • WILLIE AND THE HARE

    One had a lovely face,

    And two or three had charm,

    But charm and face were in vain

    Because the mountain grass

    Cannot but keep the form

    Where the mountain hare has lain.

    ‘Memory,’ W.B. Yeats

     

    Thomas Cubitt, London’s master builder, built

    Woburn Buildings (on the Duke of Bedford’s land);

    a pedestrianised street from Woburn Place

    to what is now Euston Road, and abutting

    St Pancras New Church with its caryatids

    and ionic columns. Late Georgian London

    on the up. Cubitt noted that hares came south

    from Primrose Hill and from The Regent’s Park,

    in the evenings, to rest on the paving stones.

     

    W.B. Yeats, Willie to friends

    and family, moved to the second floor

    of number 18 ‘to be close to

    the people’ or, rather, to further his

    short-lived affair with his married mistress.

    (That year Oscar Wilde chose not to cut

    and run, and so found himself disgraced).

    Willie noted a ‘handsome old grey hare’

    resting beneath number 6’s bow window.

     

    Two more London adoptees, Ezra Pound,

    who brought T.S. Eliot, attended

    Willie’s Monday ‘At Homes’, where Ezra

    soon made himself indispensable,

    dispensing his host’s Bushmills and Sweet Aftons,

    then becoming his secretary,

    marrying his mistress’s daughter

    and dumping her in Paris with their son –

    meanwhile making Yeats a modern poet.

     

    Two geniuses and their mentor, mere

    human beans all three, ambitious, amorous,

    apprehensive, came and went – past

    the shoemaker’s shop on the ground floor,

    the workman and his family on the first,

    and gossiped about art beneath the attic

    where a pedlar painted water colours.

    All are lost like the hares. Perhaps the bricks,

    the pavings remember.

     

     

     


    2 responses to “WILLIE AND THE HARE”


    1. Alan Horne Avatar
      Alan Horne

      I like this, David. Funny that the editor of my copy of Yeats’ poems thinks the hare is a symbol of memory, whereas you’re surely right that it’s about the passage of time.

      1. David Selzer Avatar

        Yes, and our sense of the passage of time is our memories.

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