David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • BEARINGS

    They lie after loving in a shuttered room,

    lit with an underwater vagueness,

    replete with jasmine. They hear but

    do not listen to the hoopoe calling

    in the almond tree or the goats clinking

    softly in the olive grove. They no longer

    even hear the roar of the cicadas.

    She lies in his arms. They sink into sleep,

    lovers drowsing in a perfumed sea.


    The spate plucks willows weeping from the banks

    and careers them swirling, whether or not,

    to waltz downstream with honeysuckle stems,

    a bloated lamb. Do we change course, with charts

    and signals, once, inexorably? Or

    do we drift at wind’s and swell’s mercy,

    unremarked and far into the night?


    A lamp flickers. The mainland is mauve,

    precipitous, its valleys covert, profound.

    A flute moans in olive groves. Brief insects

    chafe the night air. Behind them, waves

    from Africa rush to shore. They have steered

    for open seas yet homed on the past.

    They will skirt the swamp. Upstream, where the river

    is jade, beneath the invisible nets

    swifts weave, on a low hill, are fate’s stone doors.

    Priests and their chicanery resurrect

    numberless tribes of the dead: old men and brides,

    lovers and generals. The future

    waits like an assassin.


    One response to “BEARINGS”


    1. Ian Craine Avatar
      Ian Craine

      I shall come back to these new poems more than once, David. They are so lyrical and evocative yet so dense with allusion. My first comment might seen a trifle impertinent; a poem is an entity and its boundaries must be finite and determined by the poet. Yet the first stanza of “Bearings” is so beautiful and self-contained, so redolent of the Midi or adjacent Mediterranean domains, it could easily stand alone.

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