David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • THE CATCHER IN THE RYE

    The American swing in its oak shelter

    with a living roof sprouting carved tusks or

    dragons teeth is very RHS Wisley.

    My five year old grand daughter has just

    ridden on it and is now pushing it

    for the pleasure of others until a tall,

    lithe boy of twelve or thirteen arrives

    and begins to punt it slowly at first

    then faster and higher but always

    with care. She joins him, holding the ropes,

    urging the swing, and leads the ecstatic

    laughter of all the children gripping

    the bench as it launches to the sky

    and returns to earth, again and again.

    Suddenly, I think of Holden Caulfield,

    lost, gentle, loving, and his ‘goddam choice’

    for what he would wish to be – catching

    children in the fields of rye before they fall

    out of reach, out of sight, over and over.

     

     

     

    Note: An American swing comprises a PE or old fashioned school bench (without the feet) that is hung from ropes or chains and that moves like a saw or a pendulum from side to side – rather than to and fro like the conventional single seat swing. Like the Indian swing, which moves to and fro, the American swing will accommodate more than one person. At the time of posting, this one has been removed. In Surrey, where Wisley is situated, there are, it appears,  risk averse literati.

     

     

     


    3 responses to “THE CATCHER IN THE RYE”


    1. Ashen Venema Avatar

      So interesting how we connect things up via significant moments, and feelings. Lovely poem.
      Sad that risk has become an insurance issue.

    2. Alan Horne Avatar
      Alan Horne

      This prompted me to wonder, as the father of a tall, lithe boy of twelve or thirteen, whether Caulfield imagines catching the children before they fall out of sight into adulthood.

      1. David Selzer Avatar

        Yes, I think that’s right, Alan. Caulfield has looked into what for him is the abyss of adulthood – and so has, as it were, turned back to stop other children from falling. (Writing that made me think of Orpheus!).

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