David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • FOLLOWING THE CHAIN

    The photograph could have been taken anywhere

    they forged the Royal Navy’s anchor chains –

    Dudley, Newcastle, Ponypridd or here

    in Saltney, Chester, reclaimed marshland

    near the river. Wherever the Sea Lords chose

    to give the contract the chain makers

    and their families moved – like funfair folk

    or circus people – if they were able.

     

    There are thirteen men in the picture – a shift

    about to go on judging by the spotless

    faces, arms and hands. They are not burly men

    though their biceps were developed hauling,

    rolling, beating, linking the molten iron.

    There is no fat on them – despite the buckets

    of draught beer the employer provided

    to hydrate them in the purging foundry.

     

    They are pale, working in the dark except

    for the furnace glare. They have been posed –

    by some Edwardian photographer

    keen to record the locality –

    in their full length leather aprons, some with caps,

    some bare headed, three with mufflers to wipe

    the sweat from their eyes, four with waistcoats.

    They are sons of blacksmiths, grandsons, village lads,

    from the coast, from the hills, from the valleys.

     

    The ones in front are on one knee, with sledge hammers

    and tongs, a length of chain at their feet. Unused

    to cameras, some look at the lens – like two

    kneeling – or away like the one at the back

    with his tash and his thumbs in his waistcoat.

    He was Simeon Harris – my wife’s grandad.

     

    After the Great War the contract moved. He stayed –

    married by then to his best friend’s widow,

    responsible for two sets of children –

    and never worked again, living on the dole,

    the rare rabbit snared on the Duke’s estates,

    the very occasional shared salmon

    lifted without licence from the river,

    his wife’s pittance for cleaning the chapel,

    soup from the workhouse for breaking stones.

     

    The day before he died – his wife scolding him

    for idling – he sat, on the back step,

    smoking a roll-up, his muffler hiding

    the cancerous lump on his neck. My wife,

    then nine years old, sat close. He whispered to her,

    ‘I feel bad today, love’.

     

     

     


    4 responses to “FOLLOWING THE CHAIN”


    1. John Huddart Avatar
      John Huddart

      Very moving conclusion – the mildly scolding wife providing encouragement to life, combined with the traditional role of the ever critical friend!

      Also the way the historical photo [which we don’t need to see, but would love to] suddenly comes alive by its personal connection to your own wife.

      An end with two wives – unbeatable!

    2. Catherine Reynolds Avatar

      Such a crafted, descriptive piece. I could see the men in my mind’s eye posing for their photograph. All the more poignant for it to be part of Sylvia’s family history.

    3. Steve Crewe Avatar
      Steve Crewe

      Very touching, David, touching indeed.

    4. Mary Clark Avatar
      Mary Clark

      Great story, patiently told with good pace.

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