David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • DYSTOPIA: A WORK IN PROGRESS

    When the British and the French almost

    literally drew lines in the sand

    to divvy up the Ottoman Empire –

    tutored by romantic, wistful Arabists

    at the Quai D’Orsay and the Foreign Office –

    there was nothing left for the Yazidis,

    the Druze, the Kurds… It was always about oil –

    and then Sunni Arabs and Zionist Jews.

    It is always about oil, diamonds,

    timber, gold, slaves, coal — and useful idiots.

     

    *

     

    Saddam hanged, Gaddafi sodomized then shot.

    Being careless about what you wish for

    appears to bring bandits, to make Frankenstein

    monsters out of mercenaries, assassins

    out of mujahideen. Better perhaps

    the secret police, with pensionable jobs,

    than unofficial executioners?

    Better restriction than chaos, repression

    than havoc? Better to live in servitude

    since death ends all chance of liberty?

     

    *

     

    The democratic chancellories

    of Europe, its communes and councils are

    panders soliciting votes from racists

    to prostitute the body politic.

    They make virtue of prevarication

    and casuistry; extol cohesion

    and nationhood; plead penury –

    yet erect frontiers of razor wire

    and bomb far-fetched ideologies,

    making accidental martyrs and migrants.

     

    *

    Does only a fool or knave decry

    the efficacy of aerial bombing?

    Do only knaves or fools advocate peace?

    Do only both call, ‘Follow the money!

    It’s all about oil!’? Will it always be

    about oil – until the earth has become

    one unrelenting desert, one vast sea

    and there is no one to care about money?

    Tetchy, ironic, rhetorical

    questions give no shelter, change nothing.

     

    *

     

    It is about oil and useful innocents

    seeking exile, seeking sanctuary.

    They run from the bullets at the border –

    anonymous children, young men, women

    in labour, grandmas – or wait, patiently

    for the most part, as if despair were a crime,

    as if anger were a fault, in the rain

    and the smoke, or, duped, drown in silence.

    Theirs has become a name, whoever they are,

    to conjure pity and heart break – or lies.

     

     

     


    2 responses to “DYSTOPIA: A WORK IN PROGRESS”


    1. Nilanjana Bose Avatar

      Enjoyed this especially. Being where I am. Congrats on the anniversary and wish you many more!

    2. Steve Crewe Avatar
      Steve Crewe

      Better the devil you know is the clause, I suppose, but, as with Africa, the European nations’ understanding of the native peoples and their ancient differences has been clouded by greed, and even today we use generic terms for diverse peoples.

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