David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • CONCRETE MYTHS

    We have explained about Knossos in the car,
    so she is keen to see the palace.
    (We have not mentioned the Minotaur
    or Daedalus and Icarus). She likes
    the cats, the peacock and the cicadas
    and appears not disappointed at all
    by Arthur Evans’ concrete. Maybe
    she knows the concerns of grown-ups are
    more illusionary than substantial –
    and a young woman, posing like Betty Boop
    in high heels and sharp yellow dress
    by an amphora, would prove her point.

    Knossos is on the edge of Heraklion’s
    southern suburbs. Just down the road from here
    is a pristine Ottoman aqueduct
    built across a narrow, river valley.
    Swallows and swifts nest in the post holes.
    The dingle is filled with bougainvillea,
    jacaranda and pink oleander.
    We walk up to a church, open and full
    of silver – St Irini’s – and a playground.
    She runs to the swings. There is no mention
    in any of the guidebooks of the aqueduct
    or the saint – never mind the nesting birds
    or the valley abounding with flowers
    or the safe place to play. Under
    an ancient, encompassing olive tree
    with labyrinthine branches, she flies high.

     

     

     



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