David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • WESTERN APPROACHES

    Almost in the middle of the North Atlantic

    the two-dozen crew of a torpedoed

    merchant ship are wet and cold in its lifeboat.

    They are mainly Liverpool men, seafarers

    from custom and necessity. The captain

    is at the tiller. He has his charts

    and a compass, has ordered the sail set,

    water and hard tack rationed, and is steering

    towards the rocky, treacherous west coast

    of Ireland more than a thousand miles away –

    a dangerous landfall at this time of year,

    with its long seas, and a weakened crew.

     

    ***

     

    Western Approaches Command during

    the Second World War’s six yearlong Battle

    of the Atlantic encompassed all

    of the Irish Sea, St George’s Channel,

    the north of the Celtic Sea, and longitudes

    of the ocean to the west of Ireland.

     

    At Liverpool’s Pier Head there is a

    slightly pugnacious-looking bronze statue

    of Commander Johnnie Walker RN,

    famed for destroying twenty U-Boats.

     

    The Liverpool docks were the destination

    and fuelling station for the unceasing

    convoys of merchant ships and their escorts

    bringing food, fuel, munitions, tanks, aircraft,

    and personnel from North America.

    One hundred thousand died, Allies and Axis.

     

    ***

     

    Key scenes in the movie WESTERN APPROACHES

    were filmed on location at Holyhead,

    Anglesey, in its deep breakwater harbour.

    Wartime technicolor propaganda,

    all parts played by non-professional actors,

    some from the Royal most from the Merchant Navy,

    the film is a thriller, and a work of

    technical genius, and humanity,

    where even the bad guys seem human.

     

    The crowds that had gathered to watch the antics

    on the water – the repeated set-ups

    and retakes on the lifeboat, and the cutters

    with all of the movie gear and personnel –

    after the first week or so dispersed

    not seeing then, beyond the palaver,

    Pat Jackson’s script and direction, Jack Cardiff’s

    photographing of the sea’s infinite

    shifts and depths, its blues shading into greens,

    its empty horizons, the pathos

    of the seamen’s careful acting, their

    unspoken remembrance of the drowned:

    art as memento mori, as orison…

    ‘Out of the deep have I called unto thee’…

     

     

     

     


    3 responses to “WESTERN APPROACHES”


    1. Jeff Teasdale Avatar
      Jeff Teasdale

      Thanks, David… poignant on many levels. I have just watched the opening sequence again of ‘Saving Private Ryan’, which my Dad said – landing tanks on a different beach: two sinking in deep water while he was still in them; luckily he was good swimmer and escaped upwards through their turrets – that this bit of film was as close yet to what it was like. We can only watch it one-dimensionally and vicariously though, but for them it was front, back, left, right, above and below, and simultaneous.
      Meanwhile, in Liverpool this weekend, Beatles tours were centre-stage while two aging rockers were singing at Anfield….

    2. Ralph Naden Avatar
      Ralph Naden

      I’ve been there during my RN service. Chased Russian subs and rescued civilian yachts. Bounced off 50ft waves. It’s not fun.

    3. Hugh Powell Avatar
      Hugh Powell

      The indefatigable poet! Storm-tossed, yet gentlest of observers, how we wait for each month’s selection! A truly democratic voice.

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