David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • BUFFALO BILL ON THE ROODEE, CHESTER, 1903

    And here he is at the head of a line
    of his Wild West Circus artistes, Native
    Americans in traditional feathers,
    sharpshooters and rodeo cowboys,
    all ahorse, with a chap in a raincoat
    and trilby standing by on the turf
    as if calling out ‘Starters’ orders!’
    and well dressed spectators
    leaning over the parapet of the Roman walls.

    The Roodee used to be a tidal pool.
    It silted gradually and became
    a vast Guild sponsored football pitch until
    the injuries and the drunkenness forced
    the city fathers to outlaw football
    and create a race course, which prospers today
    and populates the city each fixture with
    extravagantly dressed and largely pacific
    inebriates. So, here he is, slaughterer,
    impresario, free mason, army scout,
    a modern hustler despite his whiskers –
    who rode thirty miles, when he was ten,
    to warn his anti-slavery father
    of a plot to kill him – measure for measure.

     

     

     


    One response to “BUFFALO BILL ON THE ROODEE, CHESTER, 1903”


    1. John Huddart Avatar
      John Huddart

      I often think about the phrase ‘Native Americans’, which replaced the ‘Red Indians’ of my childhood. It seems there is no way of describing pre-Europeans in the US which doesn’t imply there is no way of naming them without a European word or two. Here enslavement to a name that derives from the first name of an Italian. Apparently the Native American term is official US government speak. The many nations of the pre-European NA continent often described themselves as ‘The People!

      Why does your poetry send me off into tangents? Answer, because its doing its job of always raising more questions than it answers.

      Thanks for this – a great postcard of a poem!

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