David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • THE GREENING OF CRETE

    The car’s headlights illuminate the verges

    of the motorway through the foothills,

    and show how high the rainfall has been.

    Tall bushes of pink and white oleander

    burgeon – beneath them, hyacinth, iris.

    All around in darkness is the scrubland

    humankind has made – with occasional

    vineyards, orchards, and scant pasture for herds

    of goats and sheep. It once was bourneless forest:

    tamarisk, cypress, maple, oak, chestnut.

     

    We arrive at the hotel long after midnight.

    When we open our room’s patio door

    we are surprised, this being two hundred feet

    or so above sea level and the sea being

    the Mediterranean, to hear waves

    breaking rather loudly. We search for the light,

    and, finding it, see the sounds are winds

    roughly chafing a palm tree’s sword-shaped leaves

    in the garden in front of the patio.

     

    In the morning sunlight the breeze shakes the fronds

    like drying clothes snapping on a line, or oars

    erratically dipped then raised. The sun

    catches the violet wings of a carpenter bee

    gathering pollen from a red hibiscus bush

    sturdy in the terracotta soil –

    and, out of sight, a collared dove calls

    flutingly ‘to-do-so, to-do so’,

    and a church bell rings inexplicably.

    From nowhere a flock of herring gulls flaps

    across our view like raucous seafarers.

     

    And there always over the wide bay – deep once

    with sea turtles and octopus and swordfish,

    the blue of its waters matching the sky’s –

    is the grey massive of mountains thousands

    of feet in height, scored with millennia

    of run-off. They are pitted with caves –

    refuges, holy places – cleft with gorges

    so profound rain turns to vapour as it falls.

    The compassing sun highlights each contour.

     

    As daylight begins to fade swifts and swallows

    loop and weave across the soft, prolific air.

    During dinner a full moon rises

    over the mountains, making the rippling bay

    silver-gilt. Later, on the patio,

    we hear thunder rumble out at sea.

    Rain pitters and patters on the palm fronds.

    Suddenly the storm breaks, becomes torrential.

    All around us lightning cracks, forks, sheets.

     

    Next day it rains unceasingly. Guests linger

    on their phones – in the restaurant, in the bars –

    wishing they were elsewhere, hurrying

    up steps, along paths, through arcades swept

    haphazardly with rain and wind to their rooms,

    and the Wi-Fi and the flat screen TV.

     

     


    2 responses to “THE GREENING OF CRETE”


    1. Gerald Kelly Avatar
      Gerald Kelly

      A wonderful evocation of Crete! Wi-fi and flat screen TVs couldn’t possibly convey the sense of land, sea and sky you have shared with this poem.

    2. Jeff Teasdale Avatar
      Jeff Teasdale

      Beautiful, David. Your poem sails before the eyes like a slow-moving film, frame by frame. We have also experienced denuded landscapes in Crete, and Spain, the smell of hot baked dust hitting the nostrils as soon as the plane door opens, and the herbs being crunched by the goats. Very much a place to just sit, watch, listen and think (and write and draw). But what a shame that the rain caused such negative reactions in the hotel, or was it an act of defiant youthfulness on our parts that made us step out into it just to experience the deluge? Thanks so much for the last 20 minutes in the Med with you while the rain falls in Macclesfield (and I’m not going out in it, either!)

    Leave a Reply

    Your email address will not be published. Required fields are marked *

Search by Tag