David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • WORLD HERITAGE

    We are heading directly south out of town

    on Leoforos Knossou – Boulevard

    Knossos – a straight kilometre long

    dual carriageway with oleander bushes

    in the central reservation, and lined,

    on both sides, with parked cars and really useful

    emporia: like banks, greengrocers,

    ironmongers, and proper places to eat.

    After Venezelio Hospital

    it suddenly becomes a country road,

    and shortly we arrive at the site,

    and park up under a jacaranda.

     

    Whatever the Boeing 737

    Series 800 substituted

    for fresh air has laid my grand daughter

    and me a little low, so only

    the idea – rather than the facts of

    the excavation – appeals. Anyway

    we have been here before. Now we are sitting

    in the shade of a pine tree planted

    by the archaeologist, Arthur Evans.

    We can hear one of the official guides

    who has a pronounced Australian

    or New Zealand accent, and wonder

    if she only guides visitors from

    the Antipodes. In the quiet

    after she has gone we hear the hoopoes

    somewhere in the valley of olive groves

    beyond the high wire-mesh boundary fence.

     

    A tabby cat walks across the Western Court,

    and people seem to give way to her.

    My grand daughter follows with her camera.

    When she returns she tells me the cat

    had placed her kittens securely behind

    one of Arthur’s pines. The photos show

    the litter – some tabby too, some black and white –

    suckling in what seems a tumble of fur,

    the mother watchful. A small crowd gathered,

    she tells me. I imagine the simple,

    sentient spectacle: a tall, slender girl

    photographing a cat and her kittens.

     

     



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