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David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE
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AFTER THE TEMPEST: CALIBAN’S STORY
Caliban watched the ship sail east. He could see
that the butler and the jester, who used to beat
and mock him, seemed already to be drunk.
Prospero was in the prow of the ship,
and had turned his back on the island.
Miranda, the magician’s kindly daughter,
waved briefly, shyly, surreptitiously.
***
He had stayed, watching, until the pennant
at the top of the main mast disappeared,
and then had felt suddenly alone, free.
The island became his again, silent
except for the rising and falling of the tides,
and the leaves in summer, and winter’s storms.
Sometimes he thought of his mother sent there
from across the ocean, pregnant with him.
He would dream occasionally of Miranda,
waking, imagine her voice. Though now there was
no one to hear him, he still spoke poetry.
***
Meanwhile, in Milan, Prospero engaged
a map maker to complete his manuscript
‘Isle of Banishment and Promise’ – and scribes
to make copies for posterity,
and as gifts for his fellow nobles.
In time the map was studied by merchants
throughout Italy, Spain, and Portugal.
***
One morning, some years later, Caliban
saw a sail on the horizon, and hid.
The ship anchored, and two longboats came ashore.
There were men dressed in steel with swords, and others,
in long black robes, holding some sort of
wooden instrument: a long upright
with a short cross-piece nailed to it – like the one
Prospero had cursed him with. On the deck,
in chains, were men and women weeping.
Their skin was black like his.
One response to “AFTER THE TEMPEST: CALIBAN’S STORY”
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‘Caliban – Foul Beast or Colonial Victim?’ My favourite coursework topic when teaching ‘The Tempest’ for A level. Shakespeare knew the answer?
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