David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • RESISTANCE

    A young man approaches as close as he can

    to one of Goya’s paintings in the Prado,

    ‘El Tres de Mayo’ – also known as

    ‘The Executions of the Third of May’.

    Napoleon has occupied Madrid.

    A firing squad is set to execute

    cowed citizens. A terrified man

    in a floppy white shirt holds out his arms

    in supplication, horror. Suddenly

    the young man begins to sob, a visceral

    weeping he cannot control. The young woman

    with him instinctively looks round for help.

    The other visitors are amazed, embarrassed.

    He leaves clumsily, unfocused by tears

    he cannot staunch. She follows, desperate.

     

    Later, when they have returned home

    he tells his story anonymously

    to a reporter. He had gone to Spain

    with his girlfriend – an art student

    researching Goya – after he had finished

    a tour of duty in northern Gaza.

    The painting reminded him of an event

    he had suppressed. His captain shot a man,

    unarmed, hands up, pleading.

     

     

     

     


    2 responses to “RESISTANCE”


    1. Jeff Teasdale Avatar

      My Grandfather, who rarely spoke about ‘the war to end all wars, but-now-he-knew-better’ except to mention his two gassings and once having his horse’s legs shot off by spraying machine gun fire while he charged into them, Light Brigade-like and armed with a sword and pistol (not his idea, unsurprisingly – he was never ‘senior officer class’). He did once however began to talk of his forced involvement in a firing squad. He didn’t finish the sentence, and tears rolled down his cheeks in the ensuing silence, and my Grandmother went into the kitchen to make him a cup of very sweet tea. She later told me it was a horrible story, and left it at that. I never did find out about the end of it. But when you’ve seen that Goya, you really don’t need to ask…

    2. Alan Horne Avatar
      Alan Horne

      Thanks for this, David. Goya should be on the National Curriculum. It also reminded me of the bit in Heaney’s ‘Station Island’ where he imagines an encounter with a friend who was shot by paramilitaries. Let’s hope that young man isn’t the only one.

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