David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • IN CAMERA

    The colour scheme, all of the fittings, even

    the rectangular reproduction,

    above the bed, of an abstracted landscape

    that might be desert or water, sunrise

    or dusk reflected in the wardrobe’s mirror

    were exact replicas of all those

    he had already seen in all the rooms

    he had stayed in the centre of cities,

    on the edge of towns, at all compass points.

     

    There was always, however, one difference –

    the view. Through the sealed, double-glazed window

    he could see an empty office block

    with one blind still drawn on the sixth floor.

    As always, he searched meticulously

    for other differences – and found two.

    On the green carpet between the bed

    and the bathroom door was a tiny stain.

    In the narrowest gap between the landscape

    and the wall was a sheet of white paper

    with black italic word-processed text.

     

    Tunnels and wells and spirals

    and silence…

     

    I have come out of the adit

    of self- absorption and self-distrust

    into the view and light of landscapes

    and stretches of water…

     

    Why did I not credit achievements,

    accounting defeats only?

    Hell was a locked and windowless

    suite in an erstwhile Grand Hotel

    become Secret Police Headquarters… 

     

    Knowing nothing,

    having too much to say,

    I  have found myself in silence.

     

     

     


    3 responses to “IN CAMERA”


    1. John Huddart Avatar

      I’d agree with Keith! ‘Huis Clos’ revisited.

      1. David Selzer Avatar

        I was in an amateur production of ‘Huit Clos’ many decades ago. It is, in a sense, a circular play. During one performance I momentarily forgot where I was on the circle. I remember not one line dialogue – but that moment of panic remains vivid!

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