David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • THE TAXIDERMY

    In a one storey Gothic-kitsch building

    with small steeples – where Abbey Road meets

    Mill Street – attached to the Bridge End Hotel,

    opposite the pelican crossing,

    angled on the corner of Wharf Hill

    that leads steeply up to the canal

    and, over the narrow, hump-backed bridge,

    left to Ysgol Dinas Brân and right

    through the sheep fields and onto the hills

    there is an eclectic bestiary:

    the hare about to box, the barn owl roosting,

    the erect meerkat, the leery hyena,

    each an exemplar of this ancient art –

    the beasts of the forests and the fields

    as trophies, outlasting in effigy

    their killers. The high school students walk past

    blasé but assorted foreign tourists,

    serious walkers, narrow boat sailors

    and strayed revellers stop and wonder.

     

    Do any of the them wake suddenly

    before a cold dawn and remember

    that they had been dreaming, in the silent

    watches, of a herd of bright, glass eyes

    glowing red, amber, green?

     

     

     


    2 responses to “THE TAXIDERMY”


    1. Catherine Reynolds Avatar
      Catherine Reynolds

      A familiar and unusual place made all the more extraordinary by your observations. A piece of Victoriana caught in amber. Out of it’s time signature. Bejewelled with staring glass eyes. Thank you, David, for a beautiful poem.

    2. John Huddart Avatar

      So many worlds evoked. The indifference and self absorption of youth reflected in the unseeing eyes of the stuffed subjects of the poem. And the lovely touch of the traffic lights in the last line, stopping, warning, advancing. Even the order is a delight.

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