David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • THE EDGE OF HISTORY

    From the holiday cottage near the top

    of Allt Goch Bach – Little Red Hill – west

    and south is ancient woodland of ash, oak,

    beech and holly. North, down the steep incline,

    is Beaumaris – with its redundant castle,

    gaol and quays, its narrow streets and low,

    thick walled houses. East are the Menai Straits,

    the A55 and the Carnedd range.

     

    Some say the ‘red’ was the blood of the last

    of the Druids – or the Royalists.  Now

    the hill is covered with spacious ‘80s

    bespoke bungalows for wealthy pensioners.

    From here, there is a landscape of invasion:

    Roman, Saxon, Viking, Plantagenet

    (Norse, of course, by any other name) –

    and, last, the so-called ‘English’ (residents

    and tourists), accidental imperialists.

    Inland, Welsh thrives. Here, it is seldom heard.

     

    On Sundays, stray notes and chords from the town’s

    brass band drift up – Italian opera,

    a Methodist hymn. I cherish this place:

    the hill; the town; the changing beauty,

    shapes and colours of the tidal straits

    and treeless mountains; the sense of being

    always on the edge of history.

    Where I live, over the mountains, far away,

    is now a disunited kingdom – violent,

    corrupt, gangrenous with injustice and greed.

     

     

     

     



    One response to “THE EDGE OF HISTORY”


    1. Rosemary Jefford (the inky writer) Avatar
      Rosemary Jefford (the inky writer)

      I like your use of ‘gangrenous’ in the final line – ‘corrupt and gangrenous with injustice and greed.’ It’s utterly appropriate.

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