David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • FLYING TO JOHANNESBURG

     

    1

     

    This is no journey for old men. We have

    too many entanglements, too many

    memories. Too arduous to travel

    south through a whole day or a whole night,

    yet with too little time for unresolved,

    unresolvable enigmas, day and night:

    a single camel train in the Sahara;

    sporadic bonfires in the Congo.

     

     

    2

     

    Whether Heathrow, Charles De Gaulle or Schipol,

    after Security’s uncertainty,

    there is the glare of Departures with its

    faux glamour, its gimcracks, its gewgaws,

    its profligacy – the entire world

    to fly to. And the briefest moment

    to observe the human condition:

    our gestures, our rage, our laughter, our stories.

     

     

    3

     

    The clocks tick quickly at the world’s centre.

    We must suddenly rush – into relentless,

    blank walled, silent tunnels – excoriating

    the effort and tedium of travel.

    Yet the temporary optimism of take-off

    revives – that two hundred tons and more

    can ease into air, almost like a bird,

    with all of manicured Europe beneath us!

     

     

    4

     

    As the undercarriage whirrs open and locks,

    I remember the purpose of my journey,

    thinking of the friends who are waiting,

    whose struggles I can only imagine,

    their stories monuments. So Joburg, Jozi,

    the City of Gold does become ‘a country

    for old men’ – who have lived long enough

    to see, at last, a little justice done!

     

     

     

     


    3 responses to “FLYING TO JOHANNESBURG”


    1. John Huddart Avatar

      The cunning way the references to old men begin and end this poem is what makes it good. So the air journey is like a real journey taken and the journey through life’s experiences and concerns. And then there’s the way the references to age and being no longer so engaged with issues focus on how important they still remain.

    2. David Selzer Avatar

      The title, the structure and ‘no journey for old men’ are intended to echo faintly Yeats’ poem:

      Sailing to Byzantium

      That is no country for old men. The young
      In one another’s arms, birds in the trees
      – Those dying generations – at their song,
      The salmon?falls, the mackerel?crowded seas,
      Fish, flesh, or fowl, commend all summer long
      Whatever is begotten, born, and dies.
      Caught in that sensual music all neglect
      Monuments of unageing intellect.

      An aged man is but a paltry thing,
      A tattered coat upon a stick, unless
      Soul clap its hands and sing, and louder sing
      For every tatter in its mortal dress,
      Nor is there singing school but studying
      Monuments of its own magnificence;
      And therefore I have sailed the seas and come
      To the holy city of Byzantium.

      O sages standing in God’s holy fire
      As in the gold mosaic of a wall,
      Come from the holy fire, perne in a gyre,
      And be the singing?masters of my soul.
      Consume my heart away; sick with desire
      And fastened to a dying animal
      It knows not what it is; and gather me
      Into the artifice of eternity.

      Once out of nature I shall never take
      My bodily form from any natural thing,
      But such a form as Grecian goldsmiths make
      Of hammered gold and gold enamelling
      To keep a drowsy Emperor awake;
      Or set upon a golden bough to sing
      To lords and ladies of Byzantium
      Of what is past, or passing, or to come.

    3. roze albina ches Avatar

      I always enjoy reading your work, David. Thank you for sharing.

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