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David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE
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VALLE CRUCIS, LLANTYSILIO, LLANGOLLEN

Valle Crucis Abbey, Richard Wilson, circa 1760 Where willow stoops in curling shallows, May
stirs branches that creak like rigging or rub
like silk. The cuckoo sings its unsettling,
solemn roundelay. Sun gilds the abbey’s
west wall. The glassless rose window is a
blinded eye in a Romanesque skull –
indulgence in a wilderness. The Blood of
the Lamb coursed through the old ways of Keltoi,
Celtae, Celts. Time the dissembler leaches
the earth of language, artefact, intent.
A wall in the south transept was scorched by mishap
or mayhem. Dousing the flames, did the monks
break their vow? The Reformation empowered
even Trappists. Rulers destroy or endow
for glory. Defenders of parliament
effaced the cross (placed on a pagan mound)
carved to honour the Princes of Powys.
Even at the world’s furthest edge, even
beside an unkempt road through a valley,
was always a junction of opposites –
the classic, classical dichotomies
of the cerebellum and the soul, of
carapace and substance, tyranny and
learning. An oak tree, shaped like a brain, spins
the sun’s threads and is cleft, halved – fire and leaf.
One response to “VALLE CRUCIS, LLANTYSILIO, LLANGOLLEN”
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This is an excellent poem, David. It’s a place I know, and time has leeched the earth here of ‘language, artefact and intent’. Well chosen and precise words. You mention the cross ‘carved to honour the princes of Powys’. You must mean the Pillar of Eliseg, which predates Valle Crucis by a few hundred years. I did not know those sad Cromwellian iconoclasts had attempted to deface it. I do know that we are indebted to the great Welsh antiquarian Edward Lhuyd for the last reliable rendering of its kinglist.
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