David Selzer is a writer of poetry, prose fiction, screenplays and stage plays. He embraces digital platforms to share his work of more than fifty years… READ MORE


  • TRIGGER AT THE ADELPHI, LIVERPOOL, MARCH, 1954

    For Alex Cox

     

    This is the year Dien Bien Phu falls,

    Algeria rises, segregation is

    ruled illegal in the USA,

    the first kidney is transplanted and UK

    wartime food rationing finally ends.

     

    Lime Street was filled with thousands of boys and girls,

    gathered to greet the singing, celluloid,

    Born Again cowpoke, Roy Rogers (erstwhile

    Leonard Slye), and his entourage – combining

    a promo tour with a Billy Graham

    crusade. The youngsters, pinched with cold on that

    blitzed and windy street, clutched their copies

    of the Roy Rogers Cowboy Annual.

    Those with seafaring dads – and there were ships

    filling the Mersey then and its docks –

    had something from the Sears catalogue

    of Roy Rogers Gifts: boots, guitar, holster,

    ersatz buckskin fringed shirt. (Roy and his wife, Dale,

    had been mobbed in London, fringes ripped from

    the genuine article). But Roy and Dale

    were in bed with ‘flu in their Adelphi suite –

    so Trigger trotted the route alone,

    climbed the hotel steps, made his mark at

    reception, entered the residents’ lounge,

    visited his master’s bedroom and appeared

    at a first floor window for a photo op.

     

    But was it Trigger or, his double,

    Little Trigger? And which rears on its hind legs

    stuffed in the Roy Rogers Museum,

    Branson, Missouri, the ‘Show Me’ state’?

    Or is either or both with Roy and Dale –

    and Bullet, the dog, of course – alive, well and

    moseying along on the moon’s dark side?

     

     

     


    One response to “TRIGGER AT THE ADELPHI, LIVERPOOL, MARCH, 1954”


    1. Marva Gregorio De Souza Avatar

      Enjoy your ability to turn news into poetic form without losing the effect of either.

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